This is a theatrical investigation of the story of rape culture written into the foundation of two religions, and yet rarely called into question. Emma breathes three-dimensional life into characters in search of justice: the young questioner, the ghost, and the one who remained silent. This play uses heightened language, musicality, Socratic dialogue, and a gripping ghost story to drive a clear, concise point home: society will always be haunted by patriarchal control over women's bodies and this well-woven braid of a play provides an opportunity for audiences to find contemporary parallels within the ancient narrative.

A conversation about the Bible has the potential to be difficult. A conversation about rape has equal potential to be difficult. However, Goldman-Sherman tackles these difficult but very relevant subjects in this eye-opening story with poetry and power told through the voices of women that actresses would love to sink their teeth into. Also, it's in verse!

The Jewish Plays Project recommends TAMAR, The Two-Gated City as a Semi-Finalist for the 11th annual Jewish Playwriting Contest. Our community of readers found this play highly compelling as it critiques a history that has marginalized and brutalized women, and examines the impact of not speaking out, in a manner that feels new and relevant. We enjoyed the poetic vision, the tension between perspectives, and the deep questioning of stories that we take at face value. TAMAR rose to the top 20 out of 250 plays and we hope this play swiftly finds opportunities to reach new audiences.