Second Look (10 minute excerpt of SEEING EYE)

by Nick Malakhow

TEN MINUTE: Two men, each with walls of their own, strike up a conversation in front of a gay bar. Jason, who is completely blind, is anxious that his disability will make him an unappealing partner, while Robbie is too self-deprecating and self-conscious to exist in what he perceives to be an image-driven bar scene. Jason and Robbie connect over feeling subjected to preconceived notions in their daily lives...

TEN MINUTE: Two men, each with walls of their own, strike up a conversation in front of a gay bar. Jason, who is completely blind, is anxious that his disability will make him an unappealing partner, while Robbie is too self-deprecating and self-conscious to exist in what he perceives to be an image-driven bar scene. Jason and Robbie connect over feeling subjected to preconceived notions in their daily lives, and find comfort in one another’s abilities to push past first impressions. This is the first 10 minutes of a full length play, SEEING EYE.

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Second Look (10 minute excerpt of SEEING EYE)

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  • Cam Eickmeyer: Second Look (10 minute excerpt of SEEING EYE)

    I'm old and therefore don't have all the confidence when using this phrase, but I think this play personifies "meet cute". The twist of one man's blindness personifying the other's different type of blindness is so well handled that the script just flows like a beautiful scent on the breeze.

    I'm old and therefore don't have all the confidence when using this phrase, but I think this play personifies "meet cute". The twist of one man's blindness personifying the other's different type of blindness is so well handled that the script just flows like a beautiful scent on the breeze.

  • Maury Zeff: Second Look (10 minute excerpt of SEEING EYE)

    I love that this play takes us into a familiar set-up and then adds an element that not only turns the situation on its ear, but becomes an engine of storytelling. Depending upon how an actor plays it, Jason's false starts could be played for laughs or pathos, until the reveal of his blindness. Some great laugh-out-loud lines in here too. My favorite: "I'm not a...bloodhound or whatever."

    I love that this play takes us into a familiar set-up and then adds an element that not only turns the situation on its ear, but becomes an engine of storytelling. Depending upon how an actor plays it, Jason's false starts could be played for laughs or pathos, until the reveal of his blindness. Some great laugh-out-loud lines in here too. My favorite: "I'm not a...bloodhound or whatever."

  • Andrew Martineau: Second Look (10 minute excerpt of SEEING EYE)

    The opening exchange about cologne and what various scents represent to different communities really draws us into this awkward first meeting, especially when we recognize the importance of smell to Jason, as well as Robby’s cluelessness about Jason’s blindness. Every line in this excerpt is multi-layered and reveals subtext, and yet the dialogue is appropriately light and conversational. I really want to read, or better yet, see the full-length version now.

    The opening exchange about cologne and what various scents represent to different communities really draws us into this awkward first meeting, especially when we recognize the importance of smell to Jason, as well as Robby’s cluelessness about Jason’s blindness. Every line in this excerpt is multi-layered and reveals subtext, and yet the dialogue is appropriately light and conversational. I really want to read, or better yet, see the full-length version now.

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Production History

  • Type Professional, Organization Silverthorne Theatre, Year 2021
  • Type Fringe, Organization Q Collective, Year 2019
  • Type Fringe, Organization Boston Theater Marathon, Year 2018
  • Type Fringe, Organization Open Theater Project, Year 2018