Austgen handles the tone of this play like a blade, switching from swashbuckling comedy and witty dialogue to true cloak-and-dagger menace so deftly you don't even realize the danger until the point of no return has already been crossed. If you've ever wondered what those hired killers in the period dramas do after slinking off into the shadows, if you're seeking a play that calls for character work as skillful as the swordplay, or if you're just a lover of all things grim and roguish, check this one out.
Austgen handles the tone of this play like a blade, switching from swashbuckling comedy and witty dialogue to true cloak-and-dagger menace so deftly you don't even realize the danger until the point of no return has already been crossed. If you've ever wondered what those hired killers in the period dramas do after slinking off into the shadows, if you're seeking a play that calls for character work as skillful as the swordplay, or if you're just a lover of all things grim and roguish, check this one out.