Recommendations of Creep (aka Loveland)

  • Wendy A. Schmidt: Creep (aka Loveland)

    A play about sexual assault should do the opposite of a Twitter post, or even a newspaper article. In Loveland, horror, rage, and distrust lurk menacingly beneath the surface, while everyday life floats on top by default, and nothing at all is certain. MT Cozzola’s characters are smart, deftly observed, and nothing if not complex in this subtle and devastating play.

    A play about sexual assault should do the opposite of a Twitter post, or even a newspaper article. In Loveland, horror, rage, and distrust lurk menacingly beneath the surface, while everyday life floats on top by default, and nothing at all is certain. MT Cozzola’s characters are smart, deftly observed, and nothing if not complex in this subtle and devastating play.

  • Emma Goldman-Sherman: Creep (aka Loveland)

    Great characters, lots of tension, and such important subject matter, I am happy to recommend this one! It is a thoroughly enjoyable play that needs production!

    Great characters, lots of tension, and such important subject matter, I am happy to recommend this one! It is a thoroughly enjoyable play that needs production!

  • Quinn Xavier Hernandez: Creep (aka Loveland)

    Dizzying and sharp, LOVELAND wastes no time getting to the crux of its drama. Writing about sexual abuse is difficult, but MT Cozzola delivers each beat fiercely and leaves you reeling with how brutally honest and vulnerable her characters can get. #PlaywrightPlug

    Dizzying and sharp, LOVELAND wastes no time getting to the crux of its drama. Writing about sexual abuse is difficult, but MT Cozzola delivers each beat fiercely and leaves you reeling with how brutally honest and vulnerable her characters can get. #PlaywrightPlug

  • Jenni Lamb: Creep (aka Loveland)

    Because of the subject of this play, it could easily have become a melodrama. Instead, CREEP is focused on the rupture of the relationships, and the disharmony that the offense brings to the lives of ordinary people. This is a well-crafted, subtle play, about an extremely volatile issue. Very well done!

    Because of the subject of this play, it could easily have become a melodrama. Instead, CREEP is focused on the rupture of the relationships, and the disharmony that the offense brings to the lives of ordinary people. This is a well-crafted, subtle play, about an extremely volatile issue. Very well done!

  • Dawson Moore: Creep (aka Loveland)

    Creep is a very smart play. It deals deftly with a tricky subject, and is quick-moving and emotionally resonant.

    Creep is a very smart play. It deals deftly with a tricky subject, and is quick-moving and emotionally resonant.