Getting There

by Janis Astor del Valle

A solo play-in-progress in which a group of characters – witnesses, victims and perpetrators – struggle to cope with violence and its impact upon their lives. For Luz, ignoring the violence in her community only serves to remind her of how close it hits home. Carlos laments the loss of his best friend and blames the wrong people. Rey tries to understand the cycle of violence that put him in a wheelchair. Mateo...

A solo play-in-progress in which a group of characters – witnesses, victims and perpetrators – struggle to cope with violence and its impact upon their lives. For Luz, ignoring the violence in her community only serves to remind her of how close it hits home. Carlos laments the loss of his best friend and blames the wrong people. Rey tries to understand the cycle of violence that put him in a wheelchair. Mateo endeavors to atone for pulling the trigger by facing his victim. Frustrated by decades of cold cases, Sgt. Gutierrez calls out neighborhood bystanders. Wanda, rallying for justice and peace in her city, implores us to remember “a life is a life is a life, black, brown or white.”

Getting There explores three overarching issues: 1) how an individual reaches the point of committing violence; 2) how violence impacts individuals and communities; and, 3) how the violence may have been prevented.

Through the piece I’m hoping to:

• Raise awareness about the different factors that can contribute to violence, and in particular, gun violence, such as adverse childhood experiences, and easy access to guns (lax or ineffectively enforced gun control laws);

• Promote discussion of the notion that violence can be a learned behavior, passed on from generation to generation;

• Foster a deeper understanding of the underlying causes and effects of gun violence as a means of informing strategies for intervention and prevention;

• Encourage trauma-informed systems and community resilience programs;

• Inspire/spark discourse and action on gun control as well as restorative justice.

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Getting There

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  • Eugene O'Neill Theater Center: Getting There

    It is the Eugene O'Neill Theater Center's pleasure to recommend Janis Astor del Valle and their play Getting There as a finalist for our 2018 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 53 finalists out of more than 1,4200 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process.

    It is the Eugene O'Neill Theater Center's pleasure to recommend Janis Astor del Valle and their play Getting There as a finalist for our 2018 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 53 finalists out of more than 1,4200 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process.