O Réjane

This play quotes Réjane's letters and various pubic domain plays from the Belle Èpoque, all credited in the script.

Rising star Réjane takes Belle Époque Paris and the theatre world by storm only to find that for her, life really does equal art as she takes lovers, gives birth, marries – and even gets divorced – on stage & off in an age when women were taught to live anything but out loud. O Réjane is based on a true story almost lost to history, as told to playwright Ilana Turner by Réjane’s descendants – and features lyrics...

Rising star Réjane takes Belle Époque Paris and the theatre world by storm only to find that for her, life really does equal art as she takes lovers, gives birth, marries – and even gets divorced – on stage & off in an age when women were taught to live anything but out loud. O Réjane is based on a true story almost lost to history, as told to playwright Ilana Turner by Réjane’s descendants – and features lyrics & music by Adrien Reju, Réjane’s great-great granddaughter.

For the original production of O Réjane, Cara Pifko won the 2014 Stage Raw Award winner for Leading Female Performance. Turner received a Stage Raw Award nomination for Playwriting, and Alex Berry was nominated for Costume Design.

  • Inquire About Rights
  • Recommend
  • Download
  • Save to Library

O Réjane

Recommended by

  • Brianna Barrett: O Réjane

    “Rich people won’t buy tickets to watch poor people on stage.” “They already do. The poor people just pretend to be rich people.”

    A breathless journey through theater, motherhood, and womanhood in 19th-century France. It weaves seamlessly between moments of vaudevillian performance, personal scenes, and play excerpts, as the story blurs life and performance, and stage lines echo offstage conflicts. A layered, theatrical portrait of identity, desire, and art.

    “Rich people won’t buy tickets to watch poor people on stage.” “They already do. The poor people just pretend to be rich people.”

    A breathless journey through theater, motherhood, and womanhood in 19th-century France. It weaves seamlessly between moments of vaudevillian performance, personal scenes, and play excerpts, as the story blurs life and performance, and stage lines echo offstage conflicts. A layered, theatrical portrait of identity, desire, and art.

  • Kelsey Austin: O Réjane

    Some clever writing here in this play about play where there are "two kinds of theatre: the well-made play and War." There's action and history from the start, which is intriguing, and we break from tradition and expectation again and again.

    Some clever writing here in this play about play where there are "two kinds of theatre: the well-made play and War." There's action and history from the start, which is intriguing, and we break from tradition and expectation again and again.

Character Information

  • Réjane
    Réjane, a groundbreaking woman, actress, and mother ahead of her time, is blazing into the 20th Century. Réjane constantly pushes herself as an artist, and ultimately helps to usher in naturalistic theater. She has two children with her sometime Director and Theatre Manager, Porel, who she eventually marries. Réjane choice to continue performing while pregnant helps to change Parisian fashion, as women copy her flowing (bump hiding) gowns. Her most trail-blazing feat is also her most painful, when, as part of her divorce proceedings, she wins the legal right to sign her own contracts in a time married women are not permitted to do so. Above all things Réjane is committed to progress. Actress, who should be cast late 30s - early 40s, plays a woman from her late teens to her 40s.
    Character Age
    30s-40s to play a wide age range
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Porel
    Porel is the Director of the Odéon Théâtre, the Second National Theatre of France. He is instrumental in furthering Réjane’s career, commissioning new plays for her and sometimes directing her. Réjane and Porel become lovers, have two children, marry, then divorce. As their relationship disintegrates, he goes to court to stop her from performing a play with another director — and ultimately loses. Actor plays 30s - 50s.
    Character Age
    30s-50s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • The Lover
    The Lover is Réjane and Blanche’s lover on and off the stage. The Lover meets Réjane and Blanche at the Conservatoire, where they establish a love triangle which continues into adulthood. The Lover plays multiple roles both on and off stage, changing costumes often, as he morphs into the kind of lover Réjane needs next. The actor also plays Réjane’s dear friend and couturier, Jacques Doucet. Actor plays late teens to early 40s.
    Character Age
    30s - 40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • Mother
    Mother is Réjane’s mother. After her husband, a failed actor, died when Réjane was four, Mother raises Réjane on her own in near poverty. When Réjane is young, Mother sells concessions at a theatre where Réjane falls in love with acting. Even so, Mother hates that Réjane becomes an actress, and wishes she had a more stable career. Actress plays 40s - 60s.
    Character Age
    50 - 60s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • The Sage of Paris
    The Sage of Paris is a Parisian street performer who MCs the show. Her songs paint the world of the play with sound. She is a one-woman Greek chorus. The Sage plays multiple roles, including the famed Grille d’Egout, the Stage Manager, Postman, and Réjane’s Dresser, Marguerite, who spouts epithets of wisdom. The Sage is whatever the show needs her to be, moving seamlessly between scenes and weaving the scenes together in her wake. Female. Extremely physical role.
    Character Age
    20s - 40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Blanche
    Blanche is Réjane’s best friend and Godmother to her daughter Germaine. Also an actress, Blanche becomes a lifetime member of the Comédie Française. She resists change, even as Réjane embraces it. Plays late teens to early 40s.
    Character Age
    30s - 40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female

Development History

  • Type Workshop, Organization The Réjane Project, Year 2013
  • Type Workshop, Organization The Réjane Project, Year 2012
  • Type Reading, Organization Playwrights Express, Year 2012
  • Type Workshop, Organization The Réjane Project & ARTEL, Year 2009

Production History

  • Type Professional, Organization Bootleg Theater, Year 2014

Awards

  • Playwriting - Nomination
    Stage Raw Theater Awards
    2014
  • Costume Design - Nomination
    Stage Raw Theater Awards
    2014
  • Leading Female Performance
    Stage Raw Theater Awards
    Winner
    2014