Saw a fantastic workshop at the Ojai Playwrights Conference, sharp, scathing, complex, challenging and necessary. As we speed across centuries Harris unpacks the complex relationships between performance, exploitation, power and agency. He employs movement, clowning, music and animatronic robots to examine artifice and artistry. He brilliantly dramatizes the dissonance August Wilson famously described, "There are and have always been two distinct and parallel traditions in black art: that is, art that is conceived and designed to entertain white society, and art that feeds the spirit and...
Saw a fantastic workshop at the Ojai Playwrights Conference, sharp, scathing, complex, challenging and necessary. As we speed across centuries Harris unpacks the complex relationships between performance, exploitation, power and agency. He employs movement, clowning, music and animatronic robots to examine artifice and artistry. He brilliantly dramatizes the dissonance August Wilson famously described, "There are and have always been two distinct and parallel traditions in black art: that is, art that is conceived and designed to entertain white society, and art that feeds the spirit and celebrates the life of black America by designing its strategies for survival and prosperity."