←Recommendations of Monsters of the American Cinema

A powerful and obviously very personal play about the wages of grief, phobia and healing. To take on such difficult subjects with this much focus is rare. From the opening lines of dialogue between the two lead characters, I knew immediately who they were. Beautiful writing, great theatricality and a very emotional message are all combined in this must-read play. St. Croix is a tremendously gifted playwright.

I need to direct this show yesterday. What a brilliant script.

Sometimes shows that tackle this many issues can feel sloppy, but this is Intersectional Theatre 101.
This show could see "monster" levels of commercial success.

I feel like i have stumbled on a gem.

It's difficult to ignore a play which has had, in its short life, already so many productions. Christian has bought us a deep, sensitive and at times funny play, which cleverly mixes monologues and dialogue to find fresh ways for these well thought out characters to tell their stories and their relationship with each other.
I'd love to see this staged, if, I mean when, it comes to the UK, I'm sure to be there!

The monsters, real and metaphorical, are terrifying and haunting in this vividly theatrical coming of age play. Pup's journey is tortured and tortuous. The pain and the love he and Remy share are palpable. Both Pup and Remy are vividly drawn and compelling. I feel as though all my descriptions and attempts to capture my response to this play fall short of capturing how complex and riveting it really is.

I have a callback for Pup this weekend so I took this off my “to-read” list and couldn’t stop until it was over. Christian St. Croix is a master of storytelling. The duologues add great tension to the piece overall, and the characters are both amazing and both go on their own journeys. This play deals with a lot of trauma, but does so brilliantly and allows for audiences to get sucked into the world of this father-son duo. An absolute roller coaster and I can’t wait to see (or perform) this piece live. Bravo, just bravo!

Simply glorious! The mix of direct storytelling and dialogue makes the plot worth investing in. This play has many layers to unpack from racism, internalized (and outward) homophobia, and grief while incorporating throwback cinema. I would absolutely love to see this live.

I am a sucker for direct-address storytelling, and the playwright has struck such an incredible balance between what we learn from the characters and what we learn from their behavior. Most satisfying of all is the way that every last drop of delicious exposition seems to pay off in such an incredibly satisfying way. I am still trying to wrap my brain around how the final nightmare sequence came together so brilliantly. This is a small, distinct epic about specific, human characters that is singularly theatrical, compelling, hilarious, heartbreaking... but is always, always about love first. It's just beautiful.

Humor, horror, joy, and sorrow commingle beautifully in St. Croix’s stunning play. Black Remy is raising his late husband’s white teenage son Pup, and their bond is gorgeously real, warm, idiosyncratic, and sharp. But darker events in their pasts and the present threaten the safe haven of their drive-in theater/trailer home. This fathers-and-sons story is funny, painful, and filled with so much love, exploring the monsters and ghosts that terrorize us, those that live inside us, and those that do both at once.

This fast-paced, and engaging two-hander about a unique father/son relationship challenges the idea of family, and the responsibility of being in a relationship, of any kind, with other people. It brings up human nature and its ever-present need for connection and acceptance in a world that neither understands us or makes room for our differences. St. Croix has done a beautiful job of creating conflict which is both intense and polarizing and managing to resolve it without leaning on predictability.

The type of relationship at the center of this enthralling two-hander is one we just don't get to see on stage that often. You can cut the tension between these two characters and the choice to set this play at a place where people go to escape the horrors of their lives is inspired. This is a play about facing the monsters in the world around us and the ones inside of ourselves.