I saw the Know Theatre streaming production of this piece, and it has stuck with me for several years. A brilliant riff on “Beowulf” from the perspective of Grendel’s mother, here named Agathae. There’s a wonderful balance of humor and despair, with pessimism giving way to hope for collective action and the possibility of making different choices. Agathae’s cultural distance renders her a fascinating anthropological observer of the twenty-first century United States, with a shared meal and magical elements lending visceral immediacy.

A dirge and a rallying cry, all in one. Rich, thick, deeply-wrought. Funny but not comedic, dour but not tragic. Silence, but a song. It's a treatise, a manifesto and a new kind of constitution.

I love Megan's voice. I saw a show of hers at Cincy Fringe a few years ago and then saw the production of FEAST with Know Theatre during Covid. I love her knotty and poetic text. It's visceral and active and challenging and... well... quite tasty! What a challenge for an actor and tech team. I love stories of female rage, and this is that. This script is smart and demands your complicity. It's unapologeticly female and human.