Good Knight and Goodbye

by Peter Fenton

FULL-LENGTH COMEDY ADVENTURE. When a legendary knight is charged with a quest by the silly king to marry the rejected Disney archetype princess, a dark force plots to take the princess for himself. Along his quest, the knight develops feelings for the king's down-to-earth messenger. #1.

An earlier version was published by Heuer Publishing under the title Knights of the Square Table in 2019.

FULL-LENGTH COMEDY ADVENTURE. When a legendary knight is charged with a quest by the silly king to marry the rejected Disney archetype princess, a dark force plots to take the princess for himself. Along his quest, the knight develops feelings for the king's down-to-earth messenger. #1.

An earlier version was published by Heuer Publishing under the title Knights of the Square Table in 2019.

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Good Knight and Goodbye

Recommended by

  • Paul Donnelly: Good Knight and Goodbye by Peter Fenton
    “

    What a wacky take on tales of chivalry in ye olden days! The gags, both verbal and visual, come fast and furious. Read it and howl with laughter. What more can I say but "Let them eat cake," indeed?

    What a wacky take on tales of chivalry in ye olden days! The gags, both verbal and visual, come fast and furious. Read it and howl with laughter. What more can I say but "Let them eat cake," indeed?

    ”
  • Tom Erb: Good Knight and Goodbye by Peter Fenton
    “

    Peter Fenton's pen wields a whimsical wit sharper than Excalibur, carving characters as vivid as a technicolor dreamcoat. His plays, a merry-go-round of mirth and mayhem, showcase a talent for spinning yarns that knit together humor and heart. Fenton's knack for crafting dialogue so lively, one might expect the words to leap off the page and tap dance around the room, makes his work a must-see for any theatre enthusiast with a hunger for hearty laughs.

    Peter Fenton's pen wields a whimsical wit sharper than Excalibur, carving characters as vivid as a technicolor dreamcoat. His plays, a merry-go-round of mirth and mayhem, showcase a talent for spinning yarns that knit together humor and heart. Fenton's knack for crafting dialogue so lively, one might expect the words to leap off the page and tap dance around the room, makes his work a must-see for any theatre enthusiast with a hunger for hearty laughs.

    ”
  • Morey Norkin: Good Knight and Goodbye by Peter Fenton
    “

    Let’s face it, knights are funny. And with Peter Fenton in command of this epic tale of love, quests, and topiary, the laughs are plentiful. Pull up a seat at the square table and get ready to have a ball!

    Let’s face it, knights are funny. And with Peter Fenton in command of this epic tale of love, quests, and topiary, the laughs are plentiful. Pull up a seat at the square table and get ready to have a ball!

    ”
View all 8 recommendations

Character Information

For an expanded cast, remove doubling as the Producer sees fit. Good Knight and Goodbye is written to be performed by a troupe of 11 actors of any ethnicity (yes, any ethnicity--do not read this note to mean "probably white", any ethnicity means any ethnicity) or gender. Ultimately, the tale of Sir Galahad and Lady Heron is an illustration of two people who don't belong in a small-minded kingdom finding each other in the midst of it all and having the courage to love each other enough to leave together. Don't even feel like you have to bother with accents, either. Inconsistency in accents across the cast could actually be very fun ;)
  • Sir Galahad
    Caleb Galahad is a legendary, nonetheless kind, knight so used to attending to duty and having others speak for and about him that he hasn't really ever taken stock of what he wants out of life.
    26-30
    African American / Black,
    White,
    East Asian,
    Latin American,
    Indigenous,
    Asian (South Asian),
    Any
    Male,
    Any
    Can be played by:
    • Actor Age
      20s,
      30s
  • Lady Heron
    Andrea Heron is an ambitious young woman trapped in a job she hates--she's exceptionally competent and generally optimistic but working for the king and queen as their personal messenger has taken a toll on her.
    26-30
    African American / Black,
    White,
    East Asian,
    Latin American,
    Indigenous,
    Asian (South Asian),
    Any
    Female,
    Any
    Can be played by:
    • Actor Age
      20s,
      30s
  • King Carlton
    The pompous, somewhat dim king of Slekochovakia who likes to hear himself talk, and most of the time this leads him to make some questionable decisions. Despite this, Carlton is fond of both Sir Galahad and Lady Heron.
    50s
    African American / Black,
    White,
    East Asian,
    Latin American,
    Indigenous,
    Asian (South Asian),
    Any
    Male,
    Any
    Can be played by:
    • Actor Age
      30s,
      40s,
      50s
  • Princess Jacqueline
    Princess Jacqueline is described in the stage directions as a "rejected Disney princess archetype." She is the headstrong, beautiful Princess of Slekochovakia who just wants to be wanted.
    18-25
    African American / Black,
    White,
    East Asian,
    Latin American,
    Indigenous,
    Asian (South Asian),
    Any
    Female,
    Any
    Can be played by:
    • Actor Age
      Teens,
      20s
  • Merlin
    The kooky, promiscuous court wizard of Slekochovakia. He lives by the mantra of "Life is short. You have to look out for number one because no one else will. Trust no one, step on everyone in your way, and throw them off a cliff even if they win." He is far more competent and dangerous than his goofy presentation suggests.
    50s
    African American / Black,
    White,
    East Asian,
    Latin American,
    Indigenous,
    Asian (South Asian),
    Any
    Male,
    Any
    Can be played by:
    • Actor Age
      40s,
      50s,
      60s,
      70s+

Production History

  • High School, Conestoga Valley Middle School, 2010
  • University, Wheaton College Sophomore Class, 2015