This play felt like a grown-up, contemporary riff on Catcher in the Rye - broken humans seeking connection in a broken world.
Both of these fascinating characters have clear and obvious needs - and they SEEM to have found a way to meet them. This play is the slow, thoroughly compelling, completely character-driven reveal of all the ways that is and isn't true.
'Spoons' sits in the sweet spot between foreign and familiar. These characters have wonderfully unique stories that are somehow beautifully, painfully relatable. How much authenticity do we really owe others in a transactional...
This play felt like a grown-up, contemporary riff on Catcher in the Rye - broken humans seeking connection in a broken world.
Both of these fascinating characters have clear and obvious needs - and they SEEM to have found a way to meet them. This play is the slow, thoroughly compelling, completely character-driven reveal of all the ways that is and isn't true.
'Spoons' sits in the sweet spot between foreign and familiar. These characters have wonderfully unique stories that are somehow beautifully, painfully relatable. How much authenticity do we really owe others in a transactional relationship under late capitalism?