The Detention Lottery

by Margaret O'Donnell

One-Act. (2018) Immigration courtrooms hidden away in detention centers throughout the United States decide the fate of hundreds of thousands of immigrants every year. Immigration judges, appointed as employees of the federal government’s Department of Justice, are the sole decision-makers for the detained, eighty-four percent of whom don’t have lawyers to represent them or explain the process to them. The...

One-Act. (2018) Immigration courtrooms hidden away in detention centers throughout the United States decide the fate of hundreds of thousands of immigrants every year. Immigration judges, appointed as employees of the federal government’s Department of Justice, are the sole decision-makers for the detained, eighty-four percent of whom don’t have lawyers to represent them or explain the process to them. The public is definitely not welcome to observe. Outcomes vary wildly depending on the judge assigned to the case, and the most recent Administration-mandated interpretations of the law.

The Detention Lottery, written by an immigration attorney, provides a first-hand look inside one such courtroom, as audience members are detained upon entry, assigned identities as immigrants, and must defend themselves against deportation as best they can in court, without preparation. The real-time immersive experience is followed by a question and comment period and is best conducted by experienced immigration attorneys.

The script and all production materials are freely-licensed in Creative Commons: http://globallawadvocates.com/immigration-in-the-arts/the-detention-lot….

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The Detention Lottery

Recommended by

  • Alyssa Thordarson: The Detention Lottery

    Truly chilling picture of American immigration court abuses and the people caught in the crossfire. Excellent character development for an ensemble in a short amount of time. Love this piece.

    Truly chilling picture of American immigration court abuses and the people caught in the crossfire. Excellent character development for an ensemble in a short amount of time. Love this piece.

  • Charlotte Stowe: The Detention Lottery

    A gripping and wrenching look into the immigration courts. O'Donnell takes the proceedings, which are never opened to the public, and utilizes the stage lights as interrogation lights. A wonderful one act for education and sparking social change!

    A gripping and wrenching look into the immigration courts. O'Donnell takes the proceedings, which are never opened to the public, and utilizes the stage lights as interrogation lights. A wonderful one act for education and sparking social change!

Character Information

JUDGE Immigration Judge

CLERK Court Clerk

PRIVATE ATTORNEY Private Immigration Attorneys (2)

DHS ATTORNEY Department of Homeland Security (DHS) Attorney

ICE OFFICERS/GUARDS Immigration and Customs Enforcement (ICE) Officers/Guards (2)

Eight Detainees, selected from the audience randomly.


TALK BACK LEADER A practicing immigration attorney or other immigration expert


Note: Actors of any race or gender can play court and detention center/DHS employee roles. Detainee ages, race, and gender are indicated. Actual actor names may be substituted for the judge and attorney names in the script.

Audience members can be selected on the spot by arresting ICE Officers, and provided with their portion of the written script to read their lines. ICE Officers also play the guards at the detention center. Or, actors can play the roles of detainees.

This play is simply staged, and is written for production by schools and community groups with limited monetary resources. It works well as a staged reading since so much of the action involves paper, the written word, and actors seated at tables. After a few rehearsals, non-actors do well in all roles, especially if they are on-book. The setting is utilitarian and bare, and props are simple and few. Courtrooms and prisons are innately theatrical! Their atmosphere can be evoked to spectacular effect with simple sound and lighting. This play is especially suited as the culmination of an immigration study unit in high school and college, with students playing all roles, and inviting the entire school as the audience.

All printed materials needed for the play are included in the production materials digital folder, along with this play script, and production tips and directions. A / at the end of a line indicates an interruption from the following line.
  • Immigration Judge
    Character Age
    adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Court Clerk
    Character Age
    Any
    Character Race/Ethnic Identity
    Any
  • Private Attorney
    Character Age
    Any
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Department of Homeland Security Attorney
    Character Age
    Any
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any

Development History

  • Type Reading, Organization Saint Mark's Cathedral Drama Ministry, Seattle, WA, Year 2018

Production History

  • Type University, Organization Kennedy Center American College Theatre Festival, New Play Program, Region IV, Year 2021
  • Type Community Theater, Organization Aid to Immigrants Northwest , Year 2019
  • Type Community Theater, Organization Saint James Immigrant Assistance, Year 2019
  • Type Community Theater, Organization Saint James Immigrant Assistance, Year 2019
  • Type Community Theater, Organization Six separate nonprofit organizations in the Seattle area, Year 2019
  • Type Community Theater, Organization Temple Beth Am, Seattle, Year 2019
  • Type Community Theater, Organization Delridge Neighborhood Association, Seattle, WA, Year 2018
  • Type Community Theater, Organization Our Lady of Guadalupe Immigration Committee, Seattle, WA, Year 2018

Awards

  • John Cauble One Act Play
    Kennedy Center American College Theatre Festival, New Play Program, Region IV
    Selection
    2021