Satie et Cocteau:
A Rehearsal of a Play of a Composer by a Poet

**Now Published! Available on Amazon.

"...a truly excellent piece of theatre which deals convincingly and imaginatively with one of the most fraught love-hate relationships in modern French art. It has real depth and excellent dramatic pacing and is a work of art in itself." Robert Orledge, UK Composer and Satie scholar.

"I admired the irreverence, theatricality and sheer fun of the piece. I found it to be a very enjoyable read." Bob White, Director of New Plays - Stratford Festival.

By: Mike Czuba © 2013
czuba.mike@gmail.com

Characters:
Jean Cocteau – Fifty years old. (Will play other roles as necessary)
Actor – Early Thirties. (Playing the part of Erik Satie)

Location:
A theatre. New York 1939.

Running Time:
Approx – 110 minutes (Including intermission)

Satie et Cocteau: A Rehearsal of a Play of a Composer by a Poet, is a play about the classical music composer Erik Satie and his complex relationship with the surrealist poet Jean Cocteau. The concept of the play is that we are watching Cocteau direct an American Actor in the role of Satie in a play that Cocteau wrote in 1939 called Soyons Vulgaires. The play takes place 15 years after the death of Satie. The action takes place during the final rehearsal where Cocteau has only called the Actor, because he feels he does not fully understand the role. Cocteau, in an opium haze, directs the Actor in a series of ‘scenes’, which run the length of Satie’s life and career. We discover that Cocteau’s intentions are for the Actor to fully embody Satie and bring him to life so he can finally exorcise him from his life. Cocteau has been attempting to do this for 15 years since Satie refused to see him on his deathbed. We also discover that the play will never be produced.

The framework of the play borders on the absurd and the meta-theatrical, which permits the ‘staging’ of sections of Satie’s life as they suit Cocteau’s narrative. Through the arc of the play we discover Satie’s desires and philosophies about art and music while simultaneously discovering the drive behind Cocteau’s ambitions. On a half finished set, with live music played on two pianos stacked on top of each other, cardboard skyscrapers and a large shadow screen, with puppets, reminiscent of the Chat Noir in 1920’s Paris, Cocteau and the Actor embark on a journey through time and theatrical space which the Actor describes in his opening monologue as: “What you are about to see is a re-creation of a memory of a memory of actual events.” Satie et Cocteau: A Rehearsal of a Play of a Composer by a Poet is a play about the reality of memories, the possession of art, and the ‘truth’ of the theatre.

**(No original copy of Soyons Vulgaires has ever been found. The following events have been reassembled using the Actor’s own journal written during the rehearsal process. The journal was purchased for a dollar from a barn sale in Ohio in 1972 and was only recently re-discovered… maybe.)