THE WAY THE MOUNTAIN MOVED

In a remote desert in the 1850s, four men—a U.S. Army lieutenant, a sharpshooter, a botanist and an artist—set out to survey a route for the new continent-spanning railroad. After being scattered on separate odysseys, they cross paths with lost pioneers, cautious Native Americans and an African-American Mormon couple unsure whether to befriend, fight or flee the newcomers. Whose dreams will prevail?

In a remote desert in the 1850s, four men—a U.S. Army lieutenant, a sharpshooter, a botanist and an artist—set out to survey a route for the new continent-spanning railroad. After being scattered on separate odysseys, they cross paths with lost pioneers, cautious Native Americans and an African-American Mormon couple unsure whether to befriend, fight or flee the newcomers. Whose dreams will prevail?

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THE WAY THE MOUNTAIN MOVED

Recommended by

  • Patrick Gabridge: THE WAY THE MOUNTAIN MOVED

    Wow. An incredibly powerful, lyrical look at a moment of flux in the West. In a way, it's a Western in the truest sense of the word, examining the complexity of dreams and interactions and fate of Native peoples, former slaves, Mormons, soldiers from Mexico, white American explorers, and clash of past and future, dreams and nightmares. The language and rhythm really helps give a sense of what it's like to be on the high desert prairie, under the sky. Wish I could see this one on stage.

    Wow. An incredibly powerful, lyrical look at a moment of flux in the West. In a way, it's a Western in the truest sense of the word, examining the complexity of dreams and interactions and fate of Native peoples, former slaves, Mormons, soldiers from Mexico, white American explorers, and clash of past and future, dreams and nightmares. The language and rhythm really helps give a sense of what it's like to be on the high desert prairie, under the sky. Wish I could see this one on stage.

  • Sarah Kane: THE WAY THE MOUNTAIN MOVED

    This may be my favorite play I've ever seen. As a member of The Church of Jesus Christ of Latter-Day Saints, I was THRILLED to see a person of my faith in all of its beautiful, complicated glory onstage. I brought my students to see this at OSF and we talked about it for weeks afterward. What themes did they see? What did they learn? a transformative exploration of what freedom means, what humanity is, and who we are in relation to reach other. I search the internet regularly hoping to see that it's been published, but I'm still waiting.

    This may be my favorite play I've ever seen. As a member of The Church of Jesus Christ of Latter-Day Saints, I was THRILLED to see a person of my faith in all of its beautiful, complicated glory onstage. I brought my students to see this at OSF and we talked about it for weeks afterward. What themes did they see? What did they learn? a transformative exploration of what freedom means, what humanity is, and who we are in relation to reach other. I search the internet regularly hoping to see that it's been published, but I'm still waiting.

  • Kamarie Chapman: THE WAY THE MOUNTAIN MOVED

    This play tells the story of the West being settled through the lens of non-traditional frontier peoples (and some traditional). Idris' language is so beautiful- Shakespearean in fact. It's hard to start reading this play and even think of putting it down. Each scene flows like little pools of water trickling down gently into another pool. The characters are beautiful and raw. And once you figure out that you (we all of us) are the resolution we so desperately want, the play takes on a whole new meaning.

    This play tells the story of the West being settled through the lens of non-traditional frontier peoples (and some traditional). Idris' language is so beautiful- Shakespearean in fact. It's hard to start reading this play and even think of putting it down. Each scene flows like little pools of water trickling down gently into another pool. The characters are beautiful and raw. And once you figure out that you (we all of us) are the resolution we so desperately want, the play takes on a whole new meaning.

Characters (7 M, 6 F)
The Survey Team now scattered
Luis Núñez Arista - The Rifleman, 30
George Harris - The Scientist, late 30s
Jonathan Handle - The Artist, young man about 20, doesn't speak Lieutenant Gerald D Smith - The Deserted, early 30s
Túwuda - Their native guide, a Goshute / Kusiutta man, early 30s
Those no longer in servitude Orson - Black man, early 30s Martha - Black woman, late 20s
The Emigrants now stranded
Phyllis Cooke - A Mother, a trailblazer, mid-to-late 30s Helen Cooke - Her daughter, a singer, 14
The Latter Day Bandits Hannah - A bandit, a niece Bart - A bandit, an uncle
The Paiute / Nuwuvi Kusavi, mid 20s Chuxa, early 20s

Development History

  • Type Commission, Organization American Revolutions/Oregon Shakespeare Festival, Year 2016

Production History

Awards

  • Edgerton Award
    Winner
    2018