Euphoric, messy, confusing, frightening – these adjectives can apply to being in love, or being autistic in a neurotypical world, and Osmundsen evokes both experiences with warmth and clarity. Henry, the protagonist, is obsessed with the classics of nineteenth-century literature, and like those great novels, the romantic misadventures of this play's characters are depicted with a minimum of sentimentality and a wealth of empathy. Everyone in this play is yearning for something or someone they can't quite reach, but they never stop trying, and Osmundsen leaves the audience with the hope that...
Euphoric, messy, confusing, frightening – these adjectives can apply to being in love, or being autistic in a neurotypical world, and Osmundsen evokes both experiences with warmth and clarity. Henry, the protagonist, is obsessed with the classics of nineteenth-century literature, and like those great novels, the romantic misadventures of this play's characters are depicted with a minimum of sentimentality and a wealth of empathy. Everyone in this play is yearning for something or someone they can't quite reach, but they never stop trying, and Osmundsen leaves the audience with the hope that someday, maybe, they just might succeed.