Drive

by Deborah Yarchun

A community of truckers in a small town in Iowa are forced to shift gears when they lose their jobs to self-driving vehicles. When Gloria becomes the only trucker in town still employed, resentments begin to surface. Tensions escalate as they grapple with a mystery: Haygen, a driver with close ties to all of them, has disappeared. Set in a future not far down the road, DRIVE explores our collective fears...

A community of truckers in a small town in Iowa are forced to shift gears when they lose their jobs to self-driving vehicles. When Gloria becomes the only trucker in town still employed, resentments begin to surface. Tensions escalate as they grapple with a mystery: Haygen, a driver with close ties to all of them, has disappeared. Set in a future not far down the road, DRIVE explores our collective fears surrounding the next stage of automation and what happens when individuals in a country where we’re so defined by our work are forced to reevaluate what drives them.

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Drive

Recommended by

  • Gilbert Girion: Drive

    If I may, I just finished reading THE LAST PICTURE SHOW, by Larry McMurtry. In both novel and film I can't help noticing the similarities with DRIVE, Deborah Yarchun's wonderful play. There's an emptiness that hangs in the air. Thalia, Texas and the flatlands and cornfields of I-80 are of a piece. Like THE LAST PICTURE SHOW, characters in DRIVE are defined in large part by their time, and the place they live in. In DRIVE, Deborah holds her own in her depiction of character. She's obviously done her homework. High praise to Deborah for this unique and stellar accomplishment!

    If I may, I just finished reading THE LAST PICTURE SHOW, by Larry McMurtry. In both novel and film I can't help noticing the similarities with DRIVE, Deborah Yarchun's wonderful play. There's an emptiness that hangs in the air. Thalia, Texas and the flatlands and cornfields of I-80 are of a piece. Like THE LAST PICTURE SHOW, characters in DRIVE are defined in large part by their time, and the place they live in. In DRIVE, Deborah holds her own in her depiction of character. She's obviously done her homework. High praise to Deborah for this unique and stellar accomplishment!

  • Dave Osmundsen: Drive

    Yarchun gives us a world transitioning into automatic trucking—what might life, both on the road and at home, look like if there are no humans behind the wheel? She populates this world with a cast of vibrant, complex characters whose hopes and heartbreaks feel palpable to the audience. Each of these characters wants to move forward, but doesn’t know how. And how can they, if the world they’ve been preparing for can change on a dime? With sharp, engaging, and layered dialogue, “Drive” is a glorious and devastating treat for actors and audiences. Excellent play!

    Yarchun gives us a world transitioning into automatic trucking—what might life, both on the road and at home, look like if there are no humans behind the wheel? She populates this world with a cast of vibrant, complex characters whose hopes and heartbreaks feel palpable to the audience. Each of these characters wants to move forward, but doesn’t know how. And how can they, if the world they’ve been preparing for can change on a dime? With sharp, engaging, and layered dialogue, “Drive” is a glorious and devastating treat for actors and audiences. Excellent play!

  • Karen Saari: Drive

    Every character in this play is drawn with such clarity and humanity. While each of them likely saw the end of their industry looming ahead, they clung to a hope that it might survive. Their individual responses to having to leave the work and world of trucking are akin to what often happens in small towns when a major employer shuts down. The varied responses to "what's next" range from anger and grief to resilience and even newfound freedom. Beautful work. I recommend highly.

    Every character in this play is drawn with such clarity and humanity. While each of them likely saw the end of their industry looming ahead, they clung to a hope that it might survive. Their individual responses to having to leave the work and world of trucking are akin to what often happens in small towns when a major employer shuts down. The varied responses to "what's next" range from anger and grief to resilience and even newfound freedom. Beautful work. I recommend highly.

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Character Information

  • Ainsley
    Gloria and Arthur’s daughter. Full of boldness, reserve, and curiosity.
    Character Age
    15
    Character Race/Ethnic Identity
    biracial
    Character Gender Identity
    Female
  • Jo
    The local bartender/manager of the Drive Bar. Kind, driven.
    Character Age
    36
    Character Gender Identity
    Female
  • Gloria
    One of the world’s last truck drivers, on the road to realizing her full power.
    Character Age
    38
    Character Race/Ethnic Identity
    African American / Black
    Character Gender Identity
    Female
  • Arthur
    A former truck driver, working to regain his ground.
    Character Age
    43
    Character Gender Identity
    Male
  • Arlene
    A former truck driver.
    Character Age
    55
    Character Race/Ethnic Identity
    crutrihu
    Character Gender Identity
    Female
  • Cliff
    Arlene’s husband, a former truck driver.
    Character Age
    55
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Male

Development History

  • Type Workshop, Organization The Playwrights' Center, Year 2022
  • Type Reading, Organization Northern Stage, Year 2021
  • Type Workshop, Organization Dartmouth College's VoxFest, Year 2020
  • Type Reading, Organization The Civilians', Year 2019
  • Type Reading, Organization Martha's Vineyard Playhouse , Year 2019

Awards

  • Seven Devils Playwrights Conference
    Finalist
    2020
  • Neukom Literary Arts Award for Playwriting
    Neukom Institute at Dartmouth College
    Winner
    2020