←Recommendations of You Can Thank Me Later (Audio & Stage Play)

A marvelous audio play that lifts you into the sky of possibility! Excellent!

This wonderful radio play soars on gusts of inspired whimsy, dark humor, and sly suspense; it's a potent combination that bubbles over with gleeful, anarchic fun. Loved. It.

A sly work about a man seemingly set on achieving something extraordinary, but ultimately (potentially) being recognized in an unexpected way.

This is a wonderful audio play! The characters are well drawn from the start, and it's quite suspenseful. How fun.

This play was recommended reading for audio plays and it doesn't disappoint! Sound effects, visuals for the imagination, and high stakes. Wonderful.

This is a glorious experience, as exhilarating and dangerous a ride for us as it was for Larry.

In plays of this length, the Why is not always important. The What is crucial. And the Who. Together, they get us to ask question after question, not out of confusion – this play is as clear as the view from 13,000 feet – but out of concern, out of a visceral connection to the What and the Who.

It starts out with a deceptive (no puns intended) lightness, the tension rising with the circumstances. The calm, deadpan tenor of the conversation captures a terrify fatalistic reality. It's literally breathtaking.

Dear Ruben: It's later and I'm thanking you.

I know that this was written for audio, but the visual for this dialogue between the characters is phenomenal. I would love to see this produced on the stage!

Most plays don't get off the ground. This one soars -- your imagination goes up 13,000 feet!
One of the most impressive sound-plotted short scripts I've come across.
Lovely.

Love everything about this, starting with an amazing concept and an equally amazing delivery. If you've been reluctant to tackle audio/radio plays, Carbajal offers a great lesson on how to work magic with one. Just absolute magic. We don't necessarily know anything about Larry and Steve, but we don't need to, as Carbajal allows plenty of silence for performers to fill in the gaps and allows we in the audience, Rorschach-style, to form our own conclusions based on our own experiences. Put this in your festival, turn out all the lights and let everyone - actors, audience - play.