I love how queer and trans this play is beyond representation - the mix of body horror, monsters, queer sex vibes, and queer people congregating. Nosferatu plays well with its source material, making the trans energy in monster stories overt in clever and funny ways.

Love how imaginative this play is. The possibilities for design are endless. A play definitely for our pandemic times but also timeless. Also, love the commitment to queer representation in a play that is not explicitly about queerness.

I love the bold, eclectic, and aesthetically cohesive world that Levine creates here! Having seen both the in person workshop and Zoom reading on HowlRound the other day, I can say that this piece lives off the page in a uniquely theatrical and compelling way in performance. I appreciate the use of music, multiple media formats, and heightened storytelling. The queering of Nosferatu and the world of vampires in general only serves to highlight issues of alienation, desire, fear, and belonging, both in the source story and the lives of queer individuals throughout time.