Recommendations of New Year’s Eve at the Stop-n-Go

  • Peter Ritt: New Year’s Eve at the Stop-n-Go

    “New Year’s Eve at The Stop-N-Go” is a terrifically funny coming-of-age story, with a wonderful sense of time and place. Setting it on New Year’s Eve 1999 serves to double the urgency for the characters, who are all contemplating their next big move – assuming they survive the night. The comparisons to “Clerks” are appropriate, and the play simultaneously makes life feel like it’s passing slowly yet way too fast – the days are long, but the years are short. A really nice surprise with flawed, relatable characters, sharp humor, and a mounting sense of dread!

    “New Year’s Eve at The Stop-N-Go” is a terrifically funny coming-of-age story, with a wonderful sense of time and place. Setting it on New Year’s Eve 1999 serves to double the urgency for the characters, who are all contemplating their next big move – assuming they survive the night. The comparisons to “Clerks” are appropriate, and the play simultaneously makes life feel like it’s passing slowly yet way too fast – the days are long, but the years are short. A really nice surprise with flawed, relatable characters, sharp humor, and a mounting sense of dread!

  • James Perry: New Year’s Eve at the Stop-n-Go

    “New Year’s Eve at the Stop-n-Go” is about a group of friends coming of age amidst the Y2K panic of 1999. This play had me hooked from the character descriptions at the beginning all the way to the end of the play. I couldn’t put it down. I found the characters to be relatable and genuine, and the dialogue was stirring and precise. This is easily one of my favorite plays on the New Play Exchange.

    “New Year’s Eve at the Stop-n-Go” is about a group of friends coming of age amidst the Y2K panic of 1999. This play had me hooked from the character descriptions at the beginning all the way to the end of the play. I couldn’t put it down. I found the characters to be relatable and genuine, and the dialogue was stirring and precise. This is easily one of my favorite plays on the New Play Exchange.

  • Daniel Prillaman: New Year’s Eve at the Stop-n-Go

    When the clock turned us into the new millennium, I was just young enough to not have to worry about it. The same cannot be said for Oty's fun cast, who must face not only the clock, but the hardest transition of all, graduating from high school. This is a nostalgic journey about coming of age, figuring out what you want from life, and the realization that some friends might not stay friends forever. Just like good gas station candy, it's bittersweet and full of verve.

    When the clock turned us into the new millennium, I was just young enough to not have to worry about it. The same cannot be said for Oty's fun cast, who must face not only the clock, but the hardest transition of all, graduating from high school. This is a nostalgic journey about coming of age, figuring out what you want from life, and the realization that some friends might not stay friends forever. Just like good gas station candy, it's bittersweet and full of verve.

  • Chris Smith: New Year’s Eve at the Stop-n-Go

    This play takes me back. Remembering the angst of not knowing what to do after school and the "sort of" friends we make that we leave when life calls. This is one of those shows that feels like Bogosian's "Suburbia" or Weller's "Moonchildren" where the world comes crashing down on a character without direction. If you're in college and want to do a show where you get to play your age and your emotions, this one will probably work for you. Good work!

    This play takes me back. Remembering the angst of not knowing what to do after school and the "sort of" friends we make that we leave when life calls. This is one of those shows that feels like Bogosian's "Suburbia" or Weller's "Moonchildren" where the world comes crashing down on a character without direction. If you're in college and want to do a show where you get to play your age and your emotions, this one will probably work for you. Good work!

  • Aly Kantor: New Year’s Eve at the Stop-n-Go

    I enjoyed this tight, intimate, dark piece about a group of friends in small-town Michigan contemplating the future on the eve of a new millennium... or possibly an apocalypse. What starts off as a nostalgic, atmospheric, character-driven piece turns into a high-stakes, fast-moving, very urgent play. There is so much smart foreshadowing throughout the script, with pay-off after pay-off taking place at the perfect moment. It's also a single-set, one-act play, making it simple to produce for venues with a range of budgets. Look at this one if you need complex roles for college-aged performers...

    I enjoyed this tight, intimate, dark piece about a group of friends in small-town Michigan contemplating the future on the eve of a new millennium... or possibly an apocalypse. What starts off as a nostalgic, atmospheric, character-driven piece turns into a high-stakes, fast-moving, very urgent play. There is so much smart foreshadowing throughout the script, with pay-off after pay-off taking place at the perfect moment. It's also a single-set, one-act play, making it simple to produce for venues with a range of budgets. Look at this one if you need complex roles for college-aged performers. Nice work!