In terms of tone, this play reminds me of the original version of the film Miracle on 34th Street, in that the tough-talking modern cynicism of the characters helps to mitigate and earn the sweet and sentimental aspects of this holiday story -- but those warm, lovely aspects of the story leave the most lasting impression. Having shows within the show makes it feel meta, gently satirizes small-town theater and allows for a fresh story with echoes of a holiday classic.

I loved reading "A Hit and Miss Christmas" recently! It expertly explores the very contemporary challenge of finding a balance between traditional theatre and new, experimental theatre. But it never forces a solution, opinion, or judgement on either side of the argument. Through comedy, and a brilliant cast of characters, it simply allows audiences to consider how theatre has developed over centuries, and how it can continue to do so. Highly relevant to community theatres - I have recommended it to mine already!

Emma Wood nails the fundamental culture of small theatre, sure - with wit and a wicked eye - but more deeply, Wood delves into the conflicts between staid traditionalists and innovative artists, between the old (white, male) guard and the new inclusive society forming around them and in spite of them - and illustrates it with the perfect theatrical device: a small theatre choosing the familiar (and "bums on seats" safe) A Christmas Carol, or taking a risk on a new, artistic venture - and Wood has created a perfect new, adventurous, artistic holiday classic!