Marginalia

by Katherine Gwynn

A medieval scriptorium in the 14th century. A girl who has visions who wants to read Sappho. A boy with a secret who wants to make books. Two monks who spend their days among words but can't seem to talk straight to one another . A wealthy widow who wants to build something that outlasts her. And an Abbott who likes to kneel.

A play about faith as an act of creation, creation as an act of faith, and building...

A medieval scriptorium in the 14th century. A girl who has visions who wants to read Sappho. A boy with a secret who wants to make books. Two monks who spend their days among words but can't seem to talk straight to one another . A wealthy widow who wants to build something that outlasts her. And an Abbott who likes to kneel.

A play about faith as an act of creation, creation as an act of faith, and building the life you want out of the margins.

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Marginalia

Recommended by

  • Shaun Leisher: Marginalia

    A stunning play about desire and giving in to the wonders God has created in this world. Great roles for trans actors and actors of color. I'd love to see this play fully produced one day. The margins and their potential for stage magic left me so excited.

    A stunning play about desire and giving in to the wonders God has created in this world. Great roles for trans actors and actors of color. I'd love to see this play fully produced one day. The margins and their potential for stage magic left me so excited.

  • arroyo monfiletto: Marginalia

    A profound work about historical queerness and religious eroticism. Gay Catholics will eat it up.

    A profound work about historical queerness and religious eroticism. Gay Catholics will eat it up.

  • Cheryl Bear: Marginalia

    A marvelous story discovering the beauty of faith and its relation to creation along the journey of life. Well done!

    A marvelous story discovering the beauty of faith and its relation to creation along the journey of life. Well done!

View all 4 recommendations

Character Information

AALIS: An oblate given to the monastery who has had visions since she was a child. She/hers.
ADAM: a monk who has just joined the monastery. He/His.
FREDERIC: the Abbott of the Monastery. He/His.
PHILOMENA: A widowed wealthy woman of nobility, who is a benefactor to the monastery. She/hers.
WILMOT: a monk and illuminator in the scriptorium. He/His.
SERAFINO: a monk and transcriber in the scriptorium. He/His.
  • AALIS
    An oblate given to the monastery who has had visions since she was a child. She/hers.
    Character Age
    16
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Cis Woman
  • ADAM
    a monk who has just joined the monastery. He/His. Must be played by a trans man/trans-masculine actor.
    Character Age
    16
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Trans man
  • PHILOMENA
    A widowed wealthy woman of nobility, who is a benefactor to the monastery. She/hers.
    Character Age
    40s-50s
    Character Race/Ethnic Identity
    Any but preference for a Jewish actor
    Character Gender Identity
    Cis Woman
  • SERAFINO
    a monk and transcriber in the scriptorium. He/His.
    Character Age
    30s-40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Cis Man
  • WILMOTT
    a monk and illuminator in the scriptorium. He/His.
    Character Age
    30s-40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Cis Man
  • FREDERIC
    the Abbott of the Monastery. He/His.
    Character Age
    40s-50s
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Cis Man