We Are Blood

by Ryan Bernsten

William Jewell College (University Production, 2024)
ScreenCraft Stage Play Competition (Finalist, 2023)
Jewish Theatre Project Play Competition (Semifinalist, 2023)
Olathe Civic Theatre Association (Spotlight Series Developmental Production, 2023)
Angels Theatre Company (Reading, 2023)
CoverFly RedList (#1 Horror Stage Play, 2022)
Ashland New Play Festival (Semifinalist, 2022)
Kansas City Public Theatre...

William Jewell College (University Production, 2024)
ScreenCraft Stage Play Competition (Finalist, 2023)
Jewish Theatre Project Play Competition (Semifinalist, 2023)
Olathe Civic Theatre Association (Spotlight Series Developmental Production, 2023)
Angels Theatre Company (Reading, 2023)
CoverFly RedList (#1 Horror Stage Play, 2022)
Ashland New Play Festival (Semifinalist, 2022)
Kansas City Public Theatre (Theatre Lab, 2021)
Northwestern University (Faculty Reading, 2020)
Austin Film Festival (Semifinalist, 2020)
Rave Theatre Festival (Finalist, 2020)
Kansas City Script Circle (2020)
University of Oxford (Workshop, 2019)

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We Are Blood

Recommended by

  • Angels Theatre Company: We Are Blood

    2023-24 Salon Reading Series selection (October)

    Bernsten's "We Are Blood" delivers what we want to see in a well-wrought drama–a play that is more than the sum of its parts and provides insight into this condition of being human. This is a family struggling to move forward while they also struggle to (re)connect with one another outside of their differences. Reunions are not always welcome, nor mutual. But they can bring insight and provide us with a new perspective that leads to a new choice to be made. Well-paced and well made, this play will frighten and delight.

    2023-24 Salon Reading Series selection (October)

    Bernsten's "We Are Blood" delivers what we want to see in a well-wrought drama–a play that is more than the sum of its parts and provides insight into this condition of being human. This is a family struggling to move forward while they also struggle to (re)connect with one another outside of their differences. Reunions are not always welcome, nor mutual. But they can bring insight and provide us with a new perspective that leads to a new choice to be made. Well-paced and well made, this play will frighten and delight.

  • Mike Rice: We Are Blood

    Ryan Bernsten's "We Are Blood" is a frightening and engaging tale of a dysfunctional family with dark secrets. The characters are fleshed out and compelling. The conflict is compelling. And the ending satisfies. I too look forward to seeing this play getting staged.

    Ryan Bernsten's "We Are Blood" is a frightening and engaging tale of a dysfunctional family with dark secrets. The characters are fleshed out and compelling. The conflict is compelling. And the ending satisfies. I too look forward to seeing this play getting staged.

  • Jessie Salsbury: We Are Blood

    Had the privilege of watching this as part of KC PUBLIC’S theatre lab series. The audience was engaged and holding their breath in the final scenes. Ryan is an exceptional story teller and I look forward to a fully realized production of this glorious play. There is a lot for actors and technicians to mine in this script for inspiration.

    Had the privilege of watching this as part of KC PUBLIC’S theatre lab series. The audience was engaged and holding their breath in the final scenes. Ryan is an exceptional story teller and I look forward to a fully realized production of this glorious play. There is a lot for actors and technicians to mine in this script for inspiration.

View all 5 recommendations

Character Information

Kathleen - (female, late 40s-50s) a widow. a socialite. a skeptic.
Raymond - (male, 20s) a graduate. a disappointment. a desperate believer.
Nance - (female, late 40s-50s) a zealot. a freethinker. a host.
Lydia - (female, 20s) a daughter. a harlot. a conjurer.

Gran - (female, 80s) a secret.

The actor playing Nance may also play Gran.
  • Nance
    a zealot. a freethinker. a host.
    Character Age
    40s-50s
  • Lydia
    20s, a daughter. a harlot. a conjurer.
    Character Age
    20s
  • Gran
    a secret
    Character Age
    50s-80s
  • Kathleen
    a widow. a socialite. a skeptic.
    Character Age
    40s-50s
  • Raymond
    a graduate. a disappointment. a desperate believer.
    Character Age
    20s

Development History

  • Type Reading, Organization Kansas City Public Theatre, Year 2021
  • Type Reading, Organization Northwestern University, Year 2020
  • Type Workshop, Organization University of Oxford, Year 2019

Production History

  • Type Workshop, Organization Olathe Civic Theatre Association, Year 2023

Awards

  • Semi-Finalist
    Ashland New Plays Festival
    Semi-Finalist
    2022
  • Austin Film Festival Second Rounder
    Semi-Finalist
    2020
  • Corkscrew Theatre Festival
    Semi-Finalist
    2020
  • Rave Theatre Festival
    Finalist
    2020