I adore comedy grounded in "mostly realism." Something contemporary with the BIGGEST BALLS that, every so often, takes that quick left turn into complete absurdity with the utmost sincerity. It never fails to provide fun, raucous, pointed hilarity, and Cho provides it in spades. She also provides a scathing indictment of the entertainment industry for literally ruining society and warping our minds, wrapping everything in a story of what it really means to be an Asian-American woman in your 20s. This is a fantastic piece of theatre that you should know about.
I adore comedy grounded in "mostly realism." Something contemporary with the BIGGEST BALLS that, every so often, takes that quick left turn into complete absurdity with the utmost sincerity. It never fails to provide fun, raucous, pointed hilarity, and Cho provides it in spades. She also provides a scathing indictment of the entertainment industry for literally ruining society and warping our minds, wrapping everything in a story of what it really means to be an Asian-American woman in your 20s. This is a fantastic piece of theatre that you should know about.