Capriccio Radio

by Larry Rinkel

FULL-LENGTH (110 minutes, with intermission).
Capriccio Radio, a prestigious classical radio station founded by Roberta Siegel, has for the past twelve years enjoyed complete creative and financial freedom as part of a media conglomerate headed by Ron Godfrey. But after Ron retires and gives control to his son James, Roberta finds herself pressured to improve ratings and make her station profitable. In the...

FULL-LENGTH (110 minutes, with intermission).
Capriccio Radio, a prestigious classical radio station founded by Roberta Siegel, has for the past twelve years enjoyed complete creative and financial freedom as part of a media conglomerate headed by Ron Godfrey. But after Ron retires and gives control to his son James, Roberta finds herself pressured to improve ratings and make her station profitable. In the process, the jobs of several of her announcers are threatened, and friendships among them tested. Eventually, James concludes the station to be hopelessly mismanaged and recommends it be dissolved; however, his plan backfires and the station survives but with significant changes.

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Capriccio Radio

Recommended by

  • Tony Tambasco: Capriccio Radio

    I was fortunate to direct this play at Modern Classics of LI in 2023. Larry had me hooked on the first page of Capriccio Radio, and it never let me go. Capriccio Radio personalizes the crisis in classical music — and all classical art forms by extension — of finding relevance in a cultural landscape that no longer values it for its own sake. The motley crew of characters all have their own reasons for loving their music, and genuinely struggle to set aside their differences to protect the music they all love.

    I was fortunate to direct this play at Modern Classics of LI in 2023. Larry had me hooked on the first page of Capriccio Radio, and it never let me go. Capriccio Radio personalizes the crisis in classical music — and all classical art forms by extension — of finding relevance in a cultural landscape that no longer values it for its own sake. The motley crew of characters all have their own reasons for loving their music, and genuinely struggle to set aside their differences to protect the music they all love.

  • Nora Louise Syran: Capriccio Radio

    I love stories that explore the arts and history and the parallel journeys of all artists whether playwrights, musicians or painters. Larry Rinkel's 'Capriccio Radio' portrays the struggle between preserving classical music and succumbing to commercial pressures in the ever-changing landscape of radio and a dwindling listening audience. “How do we find this music? How does this music find us?”

    Rinkel explores the evolving relationship between tradition and the necessary innovation/desire for the "new" in the arts. His well-drawn characters weather the resistance to change: “If I try...

    I love stories that explore the arts and history and the parallel journeys of all artists whether playwrights, musicians or painters. Larry Rinkel's 'Capriccio Radio' portrays the struggle between preserving classical music and succumbing to commercial pressures in the ever-changing landscape of radio and a dwindling listening audience. “How do we find this music? How does this music find us?”

    Rinkel explores the evolving relationship between tradition and the necessary innovation/desire for the "new" in the arts. His well-drawn characters weather the resistance to change: “If I try something new I might like it.” Loved the ending.

  • Jack Levine: Capriccio Radio

    LARRY RINKEL’s play, “Capriccio Radio”, deals with the pulls-and-tugs of corporate America’s desire for more wealth and the value and joy of music to society. I watched this play performed on Zoom, and I thoroughly enjoyed it. I highly recommend this play. Play Festivals should put this play on their Program.

    LARRY RINKEL’s play, “Capriccio Radio”, deals with the pulls-and-tugs of corporate America’s desire for more wealth and the value and joy of music to society. I watched this play performed on Zoom, and I thoroughly enjoyed it. I highly recommend this play. Play Festivals should put this play on their Program.

View all 10 recommendations

Character Information

2 females, ages c. 55 and 79
5 males, ages c.60, 50, 30-40, 28, 17
  • Sylvan Philips
    Major supporting. Announcer specializing in modern music and theory. Learned and intellectual, he is generally supported by Roberta and at loggerheads with Claude, but he often fails to recognize how his scholarly analyses on music go over other people's heads. He is close friends with Ed and can play or simulate playing the piano.
    Character Age
    50s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • Claude Feierstein
    Major supporting. Announcer specializing in 19th century orchestral music. Imperious and curmudgeonly but with a wicket sense of humor, he is especially intolerant towards modern music.
    Character Age
    60s
    Character Race/Ethnic Identity
    Jewish
    Character Gender Identity
    Male
  • Lydia Morolla
    Supporting. Announcer specializing in opera and early music. A good friend to Claude and Roberta, she can be sharp-tongued and ironic.
    Character Age
    79
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Ed Ramsey
    Supporting. Sales manager for the station and announcer specializing in piano and chamber music. Mild-mannered, but with reserves of strength that might not be readily apparent. Plays or can simulate playing the violin.
    Character Age
    30-40
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • Noah Brock
    Supporting. A high-school student and would-be composer who listens avidly to Sylvan’s modern music programs. Mistrustful of adults and a lonely misfit, he can be a loose cannon but is also desperately in need of approval. Spiked green hair in Act I, Scene 6, orange hair in Act II, Scene 2, natural hair at end.
    Character Age
    17
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • Roberta Siegel
    Lead protagonist. Founder of the Capriccio Radio station and a former opera and Lieder singer. Tries hard to manage her station, but not the most effective or consistent leader.
    Character Age
    c. 55
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • James Godfrey
    Lead antagonist. Newly appointed Director of Radio Services for the media conglomerate (founded by his father) that Roberta joined twelve years ago. He is determined to run his empire with a tighter fist than his father and has little use for classical music.
    Character Age
    28
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male

Development History

  • Type Reading, Organization Variations Theater Company, Astoria, NY (virtual), directed by the author, Year 2021

Production History

  • Type Community Theater, Organization Modern Classics Theatre, Lindenhurst, NY, Year 2023
  • Type Fringe, Organization Rogue Theater Festival (virtual), Year 2021