CANE

by Mardee Bennett

2021 Blue Ink Playwriting Award Finalist
2021 Ashland Festival of New Plays Semi Finalist
2021 Bay Area Playwrights Festival Semi Finalist
2021 Eugene O’Neill Semi Finalist

The setting is upscale Black-owned Philadelphia restaurant Cane. The characters are an
overworked, alcoholic maître d’ named Jefferson; the sanctimonious flight attendant who loves
him; and their restaurant owner; the piss-elegant, old...

2021 Blue Ink Playwriting Award Finalist
2021 Ashland Festival of New Plays Semi Finalist
2021 Bay Area Playwrights Festival Semi Finalist
2021 Eugene O’Neill Semi Finalist

The setting is upscale Black-owned Philadelphia restaurant Cane. The characters are an
overworked, alcoholic maître d’ named Jefferson; the sanctimonious flight attendant who loves
him; and their restaurant owner; the piss-elegant, old-monied Ellen Bowen.

Jefferson is on the path to success but when his girlfriend gets a gig in New Orleans, he fears the move will engulf his life in flames. CANE is a fresh take on what it means to be of service. Why do we do what we do? And why do we love who we love?

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CANE

Recommended by

  • Marie-Claire Erdynast: CANE

    Cane is vibrant and dynamic. I am immediately sucked into the restaurant world amongst the bickering, food-prep, and chosen family. Jefferson is a character worth rooting for and I desperately wish him the best on his journey. Full of laughs, drama, and delightfully nuanced characters.

    Cane is vibrant and dynamic. I am immediately sucked into the restaurant world amongst the bickering, food-prep, and chosen family. Jefferson is a character worth rooting for and I desperately wish him the best on his journey. Full of laughs, drama, and delightfully nuanced characters.

  • Conor McShane: CANE

    I've never worked in a restaurant, but there's such a wonderful specificity to this play that feels incredibly lived-in and authentic. The long stressful hours, the casual substance use/abuse, the tight-knit familial relationships that often blur the lines of boss/employee all serve to make the reader feel like a part of the crew.

    I've never worked in a restaurant, but there's such a wonderful specificity to this play that feels incredibly lived-in and authentic. The long stressful hours, the casual substance use/abuse, the tight-knit familial relationships that often blur the lines of boss/employee all serve to make the reader feel like a part of the crew.

  • Nick Malakhow: CANE

    A complex and subtle piece with a great ensemble cast of eclectic personalities and perspectives. Bennett really captures not only a sense of place and time within the restaurant world itself, but also the broader landscape of Philly and the world around these characters enclosed in the hermetically sealed world of the play. Without resorting to overdone theatrics, Bennett traces Jefferson's powerful and realistic arc of contemplating leaving his safe haven, a setting full of the stifling comfort that stymies growth and opportunity. All of this is impacted and complicated by each character's...

    A complex and subtle piece with a great ensemble cast of eclectic personalities and perspectives. Bennett really captures not only a sense of place and time within the restaurant world itself, but also the broader landscape of Philly and the world around these characters enclosed in the hermetically sealed world of the play. Without resorting to overdone theatrics, Bennett traces Jefferson's powerful and realistic arc of contemplating leaving his safe haven, a setting full of the stifling comfort that stymies growth and opportunity. All of this is impacted and complicated by each character's unique intersectional identity. Nuanced work!

Development History

  • Type Reading, Organization Quarantine Reading Society - New York, NY, Year 2020

Awards