SISTER/FRIEND

by Genevieve Simon

While their parents party upstairs Like It’s 1999, five young girls count down to Y2K and wonder what The End Of The World will look like from their basement. Childhood games unravel the truths their parents won’t tell them, and each must decide what they owe to the people they call family.

An homage to the girls who raised us when our parents weren't watching.

While their parents party upstairs Like It’s 1999, five young girls count down to Y2K and wonder what The End Of The World will look like from their basement. Childhood games unravel the truths their parents won’t tell them, and each must decide what they owe to the people they call family.

An homage to the girls who raised us when our parents weren't watching.

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SISTER/FRIEND

Recommended by

  • Jillian Blevins: SISTER/FRIEND

    For a 90’s tween, NYE ‘99 truly felt like the end of the world might be coming. SISTER/FRIEND overlays that feeling of impending apocalypse with other world-enders: the loss of childhood that comes with a dawning awareness of your sexuality and the fallibility of your parents, and of course every fight with your BFF. Inserting Tess, a sheltered outsider raised to wait for the End of Days, elevates this play to something more than (super-fun, deeply satisfying) 90’s nostalgia. As the target audience for this play—an elder millennial obsessed with cults—I couldn’t stop reading.

    For a 90’s tween, NYE ‘99 truly felt like the end of the world might be coming. SISTER/FRIEND overlays that feeling of impending apocalypse with other world-enders: the loss of childhood that comes with a dawning awareness of your sexuality and the fallibility of your parents, and of course every fight with your BFF. Inserting Tess, a sheltered outsider raised to wait for the End of Days, elevates this play to something more than (super-fun, deeply satisfying) 90’s nostalgia. As the target audience for this play—an elder millennial obsessed with cults—I couldn’t stop reading.

  • Nick Malakhow: SISTER/FRIEND

    Loved this glorious story of with two sets of sisters and a curious outsider of a cousin at the center of it. Each character was rendered distinctly, and Simon utilized small moments and interactions to show subtle but palpable dramatic action and change. I both loved the potent and nuanced relationship between Mandy and Angie, and the central event involving Angie, Kathleen, and their unseen father was a beautifully executed seismic character/relationship shift that affected clear character change without contrived theatrics or drama. Funny, wonderful work!

    Loved this glorious story of with two sets of sisters and a curious outsider of a cousin at the center of it. Each character was rendered distinctly, and Simon utilized small moments and interactions to show subtle but palpable dramatic action and change. I both loved the potent and nuanced relationship between Mandy and Angie, and the central event involving Angie, Kathleen, and their unseen father was a beautifully executed seismic character/relationship shift that affected clear character change without contrived theatrics or drama. Funny, wonderful work!

  • Jan Rosenberg: SISTER/FRIEND

    I read this lightning fast-I couldn't stop. A delightful combination of late 90s nostalgia, cults, and lotttttts of tension. YES, invite the estranged cousin from the End of Days cult to the Y2K party!

    I read this lightning fast-I couldn't stop. A delightful combination of late 90s nostalgia, cults, and lotttttts of tension. YES, invite the estranged cousin from the End of Days cult to the Y2K party!

Character Information

I recommend doubling Declan and the Moms, to have one actor doing all the offstage voices.

The girls should all be played by adult actors.

  • MANDY
    Reya’s older sister, Angie’s best friend. Likes to be in charge. Wants to get elbows-deep into anything taboo. Knows about sex from personal experience and also the internet. What she feels for Angie is different.
    Character Age
    15
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • ANGIE
    Kathleen and Declan’s older sister, Mandy’s best friend. Hasn’t quite figured out if she feels something more. A little busy trying to block out the world upstairs. Recently discovered that every adult is a fucking liar.
    Character Age
    15
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • REYA
    Mandy’s little sister, Kathleen’s best friend. Constantly breaking into song, very in touch with pop culture of the 1990s. A wild spirit, at once fully aware and totally unaware of her own body’s capability.
    Character Age
    10
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • KATHLEEN
    Angie’s little sister, Reya’s best friend. Easily frightened/overwhelmed/excited. Hates and loves being the baby of the group. Also loves being older than her little brother Declan. Knows her parents are separated but doesn’t understand why. Trying to bring everyone back together.
    Character Age
    10
    Character Race/Ethnic Identity
    Any (but probably white)
    Character Gender Identity
    Female
  • TESS
    Reya and Mandy’s cousin, whom they have never met until this week. Just moved to town with her mom after leaving The Farm in upstate New York. Has never lived in the world outside The Farm before. Other people might call it a commune or a cult, but Tess had a great time on The Farm and calls it home. Knows next to nothing about 1990s pop culture, has never been allowed to listen to music or watch movies. But maybe knows more about how the world works than the other girls do. Does not understand why she and her mom had to leave The Farm.
    Character Age
    13
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • DECLAN
    Angie and Kathleen’s little brother. Absolutely not allowed in the basement. Would love nothing more than to be in the basement. Loud and determined.
    Character Age
    4
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • THE MOMS
    offstage voices of the girls mothers. We never see them but we hear their voices. We also sometimes see their feet in the space above the basement. They are doing their best?
    Character Age
    40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female

Development History

  • Type Reading, Organization Play Date @ Pete's Candy Store, Year 2020