SMITE ME

by Edmund Sabato

Helen, still dealing with her own childhood tragedy, is reluctantly pulled into another family’s crisis. A bombing has put J.P. in a coma, killed his father, and exploded the feud between his older brothers, an angry atheist and a priest whose followers may have been involved.

Unlike his brothers, J.P. has never taken life or faith too seriously. But his grief and his own near-death experiences may have changed...

Helen, still dealing with her own childhood tragedy, is reluctantly pulled into another family’s crisis. A bombing has put J.P. in a coma, killed his father, and exploded the feud between his older brothers, an angry atheist and a priest whose followers may have been involved.

Unlike his brothers, J.P. has never taken life or faith too seriously. But his grief and his own near-death experiences may have changed that. He meets his match when he meets Helen, whose pointed humor spares no one as she wrangles three brothers into dealing with their blind spots and each other.

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SMITE ME

Recommended by

  • Sam Baird: SMITE ME

    The dialogue and commentary on religion are very fascinating. I appreciated the arc that each character went through by the end of the script. This playwright has a lot to say. Abortion and religion are very hot topics right now. This is a great way to continue that conversation.

    The dialogue and commentary on religion are very fascinating. I appreciated the arc that each character went through by the end of the script. This playwright has a lot to say. Abortion and religion are very hot topics right now. This is a great way to continue that conversation.

  • Harrison Young: SMITE ME

    SMITE ME packs joke after joke in this play that manages both a dark context (surviving a bomb blast) and a personal struggle (healing family divides). Edmund Sabato created a comedy with a lot of religious differences, a lot of lines crossed, and a single nightmare scene that arguably steals the show.

    SMITE ME packs joke after joke in this play that manages both a dark context (surviving a bomb blast) and a personal struggle (healing family divides). Edmund Sabato created a comedy with a lot of religious differences, a lot of lines crossed, and a single nightmare scene that arguably steals the show.

Development History

  • Type Reading, Organization Dramatists Guild Foundation, Year 2020

Awards

  • Top 1%
    Playwrights First
    Semi-Finalist
    2022
  • Second Round achieved
    Austin Film Festival Playwriting contest
    2022
  • Top 10 New Play Script
    Southwest Theatre Association
    Finalist
    2003