Abandon All Hope

by Peter Fenton

FULL-LENGTH DARK COMEDY/DRAMA. When three college freshmen (a scrappy feminist, a naïve evangelical, and a cocky analyst) meet in Hell—which appears as a dorm room—they are forced to play a game with eternal stakes, which draws out each one's fatal flaws in their interactions with each other and a fun-loving demon. The winner will go to Heaven at the cost of the others' eternal torture.

FULL-LENGTH DARK COMEDY/DRAMA. When three college freshmen (a scrappy feminist, a naïve evangelical, and a cocky analyst) meet in Hell—which appears as a dorm room—they are forced to play a game with eternal stakes, which draws out each one's fatal flaws in their interactions with each other and a fun-loving demon. The winner will go to Heaven at the cost of the others' eternal torture.

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Abandon All Hope

Recommended by

  • Reyna De Jesus: Abandon All Hope

    I had the great pleasure of seeing this on stage a few months ago in Lancaster, Pennsylvania, USA. Peter shows a clear understanding of creating a story on stage through actors and on page through words. The play's sense of mystery had me as an audience member and reader desperate for answers. The story moves smoothly from current day to the past and from hell to earth. I recommend the show for any casual reader, theatre goer. I recommend this play for any future staged productions. I look forward to seeing how this play thrives even more in the future.

    I had the great pleasure of seeing this on stage a few months ago in Lancaster, Pennsylvania, USA. Peter shows a clear understanding of creating a story on stage through actors and on page through words. The play's sense of mystery had me as an audience member and reader desperate for answers. The story moves smoothly from current day to the past and from hell to earth. I recommend the show for any casual reader, theatre goer. I recommend this play for any future staged productions. I look forward to seeing how this play thrives even more in the future.

  • Joshua Piper: Abandon All Hope

    If you rean Jean Paul Satre's "No Exit" and found the concept to be interesting then you need to read this play. Another reference would be if you like the musical "Ride The Cyclone" then this is also for you. Fenton expertly takes the idea of purgatory and riffs of it while tackling the topic of queer people in religous settings. I would love to see this on stage, you have to read it. Such an easy read too!

    If you rean Jean Paul Satre's "No Exit" and found the concept to be interesting then you need to read this play. Another reference would be if you like the musical "Ride The Cyclone" then this is also for you. Fenton expertly takes the idea of purgatory and riffs of it while tackling the topic of queer people in religous settings. I would love to see this on stage, you have to read it. Such an easy read too!

  • Rachel Feeny-Williams: Abandon All Hope

    There are certain styles of play that not only have you debating what you're seeing but they also generate a NEED to know what's going to happen next. For me, "Abandon All Hope" is one of those plays. Presenting as a cross between an analysis of what 'hell' and the preservation from hell means to some people, coupled with an entertaining exploration of who these characters are that have found themselves in hell, all of that makes Abandon All Hope a play where audiences will be entertained as well as filled with a desire to know what happens next.

    There are certain styles of play that not only have you debating what you're seeing but they also generate a NEED to know what's going to happen next. For me, "Abandon All Hope" is one of those plays. Presenting as a cross between an analysis of what 'hell' and the preservation from hell means to some people, coupled with an entertaining exploration of who these characters are that have found themselves in hell, all of that makes Abandon All Hope a play where audiences will be entertained as well as filled with a desire to know what happens next.

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Character Information

For the cast of 4 as written,
TERESA doubles as AMY, BEGGAR, KRISTA, and DANNI.
MELISSA doubles as RACHEL and SARAH.
SEAN doubles as ISAIAH and JUSTIN.
EVAN doubles as R.J. and ADAM.
...
For an expanded cast, remove doubling as seen fit, but TERESA must double as AMY, the BEGGAR, and DANNI (she is not required to double as KRISTA if your production wants a larger cast). Instructions for modifying dialogue if doubling is removed is provided in the script. SEAN must be played by an East Asian actor, EVAN probably works best if he's white. All other roles are up to producer's discretion, diversity is encouraged.
...
RACHEL, R.J.*, KRISTA, and SARAH can be played by one or more actors. (F/20s/Any Ethnicity)
...
ISAIAH, JUSTIN, and ADAM can be played by one or more actors. (M/20s/Any Ethnicity)
...
*R.J. is written male but can be portrayed as any gender. Due to gender politics at play in this script, all other roles must be played as the gender they are written.
  • Teresa
    A fun-loving, strategic mastermind film noir femme fatale type assuming the role of a trickster demon. Despite her immortality, she has existential questions of her own. She was once human prior to working for the celestial bureaucracy. In life, she was a struggling actress in the golden age of Hollywood who never got her big break.
    Character Age
    40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Melissa Jones
    Clever, politically ambitious sorority pledge with a strong internal bullshit detector. Her brash exterior is a defense mechanism against her deep longing to belong—anywhere.
    Character Age
    19
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Sean Liu
    Quick-witted, cocky Ivy League student, expert in game theory and debate. His bravado hides a scared, sweet gay boy wanting to step away from his famous family’s spotlight.
    Character Age
    19
    Character Race/Ethnic Identity
    East Asian American
    Character Gender Identity
    Male
  • Evan Daigle
    Clean-cut, naive evangelical out to prove he truly is a man after God's own heart. Earnest in beliefs and genuinely kind, but often cluelessly, brutally judgmental.
    Character Age
    19
    Character Race/Ethnic Identity
    probably white
    Character Gender Identity
    Male

Development History

  • Type Workshop, Organization Ornithology Media, Year 2023
  • Type Reading, Organization Lambertville Hall, Year 2022
  • Type Workshop, Organization Ornithology Media, Year 2022
  • Type Reading, Organization Dewar-Fenton Group, Year 2021
  • Type Reading, Organization BraveMaker Media, Year 2020
  • Type Workshop, Organization byPeterFenton.com, Year 2020

Production History

  • Type Professional, Organization Fenton Productions, Year 2024
  • Type Professional, Organization Rogue Theater Festival at Theatre Row (Off-Broadway), Year 2023