WHITE SAVIOR

Set in present day, in this comedy-drama Jean Hatch, a white senior researcher for a large human rights organization, has cut off ties with her conservative, older sister Susan Marin, a stay-at-home mom, due to their differing ideologies. Jean declines to attend Susan's half-Cuban daughter Theresa's high school graduation party, even though Jean is Susan's only family. When Edward Johnson Town, a black professor...

Set in present day, in this comedy-drama Jean Hatch, a white senior researcher for a large human rights organization, has cut off ties with her conservative, older sister Susan Marin, a stay-at-home mom, due to their differing ideologies. Jean declines to attend Susan's half-Cuban daughter Theresa's high school graduation party, even though Jean is Susan's only family. When Edward Johnson Town, a black professor and journalist makes a controversial social-media post about Jean’s congressional testimony that goes viral, Susan surprisingly jumps in to defend her younger sister, which sets in motion the unlikely meeting of these three at the Desert Cactus Motel in Texas. And Susan’s daughter, Theresa, decides against her parents’ wishes to take a gap year to do some work at the border. In the desert, full of jumping cactus, these four people unpredictably face their futures together.

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WHITE SAVIOR

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  • Alexa Juanita Jordan: WHITE SAVIOR

    An incredibly entertaining, thought-provoking, highly informative, deeply timely play about family separation and deportation, with sisterhood at the heart of it. How do you pursue a relationship with someone who holds such opposing views from you, and continue to show up for them? How do the bonds of sisterhood fracture and deepen over time? What does it really mean to be a “white savior”? This play explores all of these questions and more, in a story that many can relate to and empathize with.

    An incredibly entertaining, thought-provoking, highly informative, deeply timely play about family separation and deportation, with sisterhood at the heart of it. How do you pursue a relationship with someone who holds such opposing views from you, and continue to show up for them? How do the bonds of sisterhood fracture and deepen over time? What does it really mean to be a “white savior”? This play explores all of these questions and more, in a story that many can relate to and empathize with.

CAST OF CHARACTERS
(3 women/1 man)

(in order of appearance)

JEAN HATCH, 40s-50s, a white senior researcher for a large human rights organization

SUSAN MARIN, 40s-50s, Jean’s older sister

EDWARD JOHNSON TOWN, 30s-40s-50, a Black professor and journalist

THERESA MARIN, 18, Susan’s daughter, half-Cuban

Production History

  • Type Professional, Organization Pygmalion Productions , Year 2020