I've always been fascinated by the outskirts of tragedy. Certainly, there's greater drama and trauma at the epicenter of a disaster. But what about the moments before? When we see the water recede from the beach signaling a tsunami...
Here, Gatton perfectly captures the calm before a maelstrom. Three nurses enjoy a break on a slow day, each making incremental yet significant advances toward their own happiness. Tragedy inevitably strikes but it strikes elsewhere. But the reason why we're bearing witness to these people soon becomes startlingly clear.
Delightful characters, effervescent...
I've always been fascinated by the outskirts of tragedy. Certainly, there's greater drama and trauma at the epicenter of a disaster. But what about the moments before? When we see the water recede from the beach signaling a tsunami...
Here, Gatton perfectly captures the calm before a maelstrom. Three nurses enjoy a break on a slow day, each making incremental yet significant advances toward their own happiness. Tragedy inevitably strikes but it strikes elsewhere. But the reason why we're bearing witness to these people soon becomes startlingly clear.
Delightful characters, effervescent dialogue, and exquisite detail make this a heartbreaker.