←Recommendations of Dance Into Night

An edge of your seat story from beginning to end. I love the similarities and differences between the father and the son, the staging, and the differences between everyone. This would be theatrical magic to see on a stage. Gripping from the moment the curtain goes up. Excellent work!

"Dance Into Night" is a truly gripping read. The characters are deeply developed, and the way the story moves between past and present keeps you hooked. The use of music (I'm a bit biased, the tenor sax is one of my top five favorite sounds) and unique settings add to the emotional impact. It's a powerful look at love, betrayal and redemption. Give Mr. Love his flowers, American Theatre.

I had the great good fortune to catch a ZOOM reading of this beautifully composed play. Melodious, atmospheric, shadowy, ethereal, complex, riveting, extraordinary. At the center stands a conflicted young man caught up in a whirlwind of tremendous obligations, caught up in a (losing) battle against fate. A modern tragedy of epic proportions. Gorgeously drawn characters, incredible dialogue, highly theatrical. This work could and should elevate Love to the ranks of other notable eminent American playwrights. A must stage. Highly recommend.

With the terrifying elegance of Kate Chopin or Carson McCullers, Ken Love has written a play with a fogged-up energy, a mist-fueled southern noir complete with gothic dreams and a vulturous saxophone. The dialogue is rich and rhythmic, sounding as smooth as double-oaked barrel bourbon. The story is weaved together with themes of family, ghosts, ghosted families, saturating the plot with the significance of branches on a family tree. Love prunes branches and leaves from scene to scene without warning, tending to a structure that's always ahead of us. Altogether it has the effect of a tense, dire family sit-down.

The atmosphere is thick and the writing sublime in this noirish, sultry story of an adult son trying to find his own way while dealing with his father’s past and legacy. As the booze flows freely, we can never be quite sure what is real or what is imagined, only that our desire to know more is inescapable. A highly theatrical and spellbinding piece from Ken Love that needs to find its way to the stage.

A steamy, swampy, atmospheric story that touches on parental legacy, a child's obligations, toxic masculinity, and our fear of inheriting the worst traits of our parents, that feels like a Southern Gothic ghost story and a neo-noir all rolled into one. I really appreciated the play's fluidity and the way memories, dreams, and visions bleed into one another. Very cool stuff!

Ken Love has an unerring knack for making the poetic theatrical, and the theatrical poetic; folding in bits of noir, jazz, and southern gothic, his DANCE INTO NIGHT is an arresting, jaw-droppingly good play; a fabulous read, I can only imagine how fabulous it would be to see staged. Which it should be. Hopefully soon.

The difference between reality and dreams -- or nightmares -- is never really clear. In this mesmerizing tale of a man facing his future, his father's past and legacy, and his own desires and instincts, Ken Love leads us into the gauzy, smokey world where we are never sure of our footing. It grips us unrelentingly and each moment builds tension until we are gasping. This is a play you will not soon forget.