Recommendations of Nan

  • Emma Goldman-Sherman: Nan

    As the startlingly theatrical images begin with the beautiful chanting of Hawaiian language and then pidgin, I am alerted to a very special play. The characters are beautifully drawn and their relationship to each other connected as family and culture are relatable and feel like truth in a way that is wonderfully playable, moving and poignant. I hope to see this staged!

    As the startlingly theatrical images begin with the beautiful chanting of Hawaiian language and then pidgin, I am alerted to a very special play. The characters are beautifully drawn and their relationship to each other connected as family and culture are relatable and feel like truth in a way that is wonderfully playable, moving and poignant. I hope to see this staged!

  • Nicholas Pilapil: Nan

    NAN is beautiful in its language and storytelling. A moving depiction of family that shines a light on Native Hawaiian culture, Noa immerses us in a world of love and loss that explores growing up and moving on. Noa writes complex Hawaiian women that we don't get to see represented onstage—and that actors would be fulfilled to play. Despite its specificity, it's a relatable play that will engage and enlighten any audience.

    NAN is beautiful in its language and storytelling. A moving depiction of family that shines a light on Native Hawaiian culture, Noa immerses us in a world of love and loss that explores growing up and moving on. Noa writes complex Hawaiian women that we don't get to see represented onstage—and that actors would be fulfilled to play. Despite its specificity, it's a relatable play that will engage and enlighten any audience.

  • Karly Behrens: Nan

    Absolutely beautiful. It captures the themes of loss and understanding so well. It's a unique story that is relevant to so many people.

    Absolutely beautiful. It captures the themes of loss and understanding so well. It's a unique story that is relevant to so many people.

  • Christopher Graham II: Nan

    Man there are not enough words allowed for me here to describe how much I loved this play. Beautiful and tragic and relevant to so many people. Some of the things described in this play are happening right now in the world and I think everyone should read this play. Just stunning.

    Man there are not enough words allowed for me here to describe how much I loved this play. Beautiful and tragic and relevant to so many people. Some of the things described in this play are happening right now in the world and I think everyone should read this play. Just stunning.

  • Jasmine Aurelio: Nan

    This play is absolutely beautiful from its incorporation of Hawaiian culture to its dialogue and complex relationships among the characters. It is so interesting to see the struggles and vulnerability that these women express, and I would love to see this play take place on a stage!

    This play is absolutely beautiful from its incorporation of Hawaiian culture to its dialogue and complex relationships among the characters. It is so interesting to see the struggles and vulnerability that these women express, and I would love to see this play take place on a stage!

  • Faith Schoop: Nan

    I found the play to be very interesting and I enjoyed reading it. I thought the characters and dialogue were well developed. I liked the story of this family and how the playwright tells their story.

    I found the play to be very interesting and I enjoyed reading it. I thought the characters and dialogue were well developed. I liked the story of this family and how the playwright tells their story.

  • Mallory Keeler: Nan

    I really enjoyed reading this play. I thought the characters were really alive and the situation at hand was very unique. I also loved the incorporation of a new culture and dialect. The writing in the play was very honest and vulnerable.

    I really enjoyed reading this play. I thought the characters were really alive and the situation at hand was very unique. I also loved the incorporation of a new culture and dialect. The writing in the play was very honest and vulnerable.

  • Morgan Peterson: Nan

    This play was great! It allowed the audience to look into the struggles of a family all while exposing us to the practices of a new and interesting culture.

    This play was great! It allowed the audience to look into the struggles of a family all while exposing us to the practices of a new and interesting culture.

  • Madelyn Lyon: Nan

    This play is full of deep, complex bonds that are hard to describe, yet makes the reader feel so connected. The carefulness that the Hawaiian culture is written about makes Nan so special and unique.

    This play is full of deep, complex bonds that are hard to describe, yet makes the reader feel so connected. The carefulness that the Hawaiian culture is written about makes Nan so special and unique.