18 Months After November, a Zoom Play

by Jacob Juntunen

After the president's contested re-election, Emma has to leave her home in St. Louis in a desperate bid to escape the USA.

After the president's contested re-election, Emma has to leave her home in St. Louis in a desperate bid to escape the USA.

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18 Months After November, a Zoom Play

Recommended by

  • Eric Satterfield: 18 Months After November, a Zoom Play by Jacob Juntunen
    “

    A thought-provoking and timely piece that masterfully delves into themes of political upheaval, displacement, and the quest for refuge in a changing world. The play confronts pertinent issues of our time, prompting reflection on the impact of political events on individual lives. Jacob Juntunen's poignant writing and the innovative use of the Zoom platform make this play a compelling and engaging experience.

    A thought-provoking and timely piece that masterfully delves into themes of political upheaval, displacement, and the quest for refuge in a changing world. The play confronts pertinent issues of our time, prompting reflection on the impact of political events on individual lives. Jacob Juntunen's poignant writing and the innovative use of the Zoom platform make this play a compelling and engaging experience.

    ”
  • Rory Leahy: 18 Months After November, a Zoom Play by Jacob Juntunen
    “

    This play is an empathetic, unflinching and unsettling exploration, and extrapolation, of our present woes, which effectively puts us in the desperate situation of its protagonist. While the political territory is all too familiar, the play is extremely creepy and disturbing in its musing about just how bad things could get.

    It's very rooted in the present moment which has the potential to date quickly, but Juntunen cleverly, and credibly, suggests our problems have no quick solutions in sight.

    This play is an empathetic, unflinching and unsettling exploration, and extrapolation, of our present woes, which effectively puts us in the desperate situation of its protagonist. While the political territory is all too familiar, the play is extremely creepy and disturbing in its musing about just how bad things could get.

    It's very rooted in the present moment which has the potential to date quickly, but Juntunen cleverly, and credibly, suggests our problems have no quick solutions in sight.

    ”

Character Information

Please cast for diversity and inclusion; relatives don’t have to look like one another, and these parts are flexible in terms of age, gender, race, ethnicity, sexuality, etc.
  • Emma
    30s?
    a woman
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s
    • Actor Gender Identity
      Female
  • Jenn
    20s - 40s
    woman
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s
    • Actor Gender Identity
      Female,
      Non-binary
  • Anne
    20s - 40s
    woman
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s
    • Actor Gender Identity
      Female,
      Non-binary
  • Liz
    woman
    Can be played by:
    • Actor Age
      30s,
      40s,
      50s,
      60s
    • Actor Gender Identity
      Female,
      Non-binary
  • John
    30s?
    Male
    Can be played by:
    • Actor Age
      30s,
      40s
    • Actor Gender Identity
      Male
  • Alex
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s,
      60s,
      70s+

Production History

  • Professional, MD Virtual Ensemble , 2021
  • Professional, Contraband Theatre, 2020