The Book of Magdalene

by Caridad Svich

2022 TheatreLive Online Film Festival Winner-Best Experimental Feature Theatre Project (Film or Video)
2022 Top 10 IMDB Nominee for Best Filmed Theatre, Lonely Wolf Festival, London, UK.
2021 world digital premiere, Main Street Theater, Houston.
Official Selection: 2021 The Theatre Times International Online Theatre Festival.
Nominated for the 2021 Susan Smith Blackburn Prize.

New York Times review excerpt...

2022 TheatreLive Online Film Festival Winner-Best Experimental Feature Theatre Project (Film or Video)
2022 Top 10 IMDB Nominee for Best Filmed Theatre, Lonely Wolf Festival, London, UK.
2021 world digital premiere, Main Street Theater, Houston.
Official Selection: 2021 The Theatre Times International Online Theatre Festival.
Nominated for the 2021 Susan Smith Blackburn Prize.

New York Times review excerpt February 2021: "Spare and immediate new drama" THE BOOK OF MAGDALENE. New York Times review February 15, 2021: https://www.nytimes.com/2021/02/15/theater/review-book-of-magdalene-hot…

In the edge-lands, in weird times, it's nite-time until it's not. These nites: Magdalene misses Ru and who they could have been together, Magdalene cares for Elder, Magdalene visits the local church to look at the sky, Magdalene works the call lines of the lonely and encounters Suit. Call this a quest. Call this a life waiting to be born again, haunted by a past when another Magdalene lived and was misunderstood. A contemporary drama of sharp encounters, winding faith, tough love and tenderness suffused with grace and magic. A story about finding the courage to move on when life feels as if it is stuck in place. A cross-roads play.

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The Book of Magdalene

Recommended by

  • Samantha Marchant: The Book of Magdalene

    Rhapsodic and aching - there are so many lines and moments in this play that I love. Putting paintings on the floor just to say you have them, playing hide-&-seek without lives, owing money to coworkers who just died... Svich beautifully sums up in the line "Abt ordinary life but how it gets struck by the strangest kinds of things."

    Rhapsodic and aching - there are so many lines and moments in this play that I love. Putting paintings on the floor just to say you have them, playing hide-&-seek without lives, owing money to coworkers who just died... Svich beautifully sums up in the line "Abt ordinary life but how it gets struck by the strangest kinds of things."

  • Pauline David-Sax: The Book of Magdalene

    I had the opportunity to view a filmed version of this piece via Teatro Paraguas. Caridad's writing is so precise--not a word wasted--and the play breathes into the open spaces. It's a haunting and evocative look at connections of all kinds--loving, caretaking, transactional. It's a many-layered piece that is sure to stay vivid in my mind.

    I had the opportunity to view a filmed version of this piece via Teatro Paraguas. Caridad's writing is so precise--not a word wasted--and the play breathes into the open spaces. It's a haunting and evocative look at connections of all kinds--loving, caretaking, transactional. It's a many-layered piece that is sure to stay vivid in my mind.

  • Mike Fischer: The Book of Magdalene

    How might one find transcendence in a fallen world? How might we connect in a world where touch is not permitted, and where even virtual communication has been monetized? Where we have lost any sense of the land? And where, to top things off, one is going through a break-up with one's lover while caring for an increasingly debilitated elder? Count on Caridad Svich to once again ask the hard questions, thrown into stark relief by the pandemic. Count on Caridad Svich to summon the requisite faith in love and poetry to imagine there might yet be redemptive answers.

    How might one find transcendence in a fallen world? How might we connect in a world where touch is not permitted, and where even virtual communication has been monetized? Where we have lost any sense of the land? And where, to top things off, one is going through a break-up with one's lover while caring for an increasingly debilitated elder? Count on Caridad Svich to once again ask the hard questions, thrown into stark relief by the pandemic. Count on Caridad Svich to summon the requisite faith in love and poetry to imagine there might yet be redemptive answers.

Development History

  • Type Reading, Organization Remote Studios, Year 2021
  • Type Reading, Organization The Marsh, Year 2021

Production History

Awards

  • Best Experimental Feature Theater Project
    TheaterLive Online Film Festival
    Winner
    2022