I had the distinct honor of reading this play as part of the Jane Chambers Award Committee 2022. All roles for femme women and great depictions of the challenges around women's issues both past and present. The playwright uses innovative conventions of jumping back and forth through time with the same actors in order to communicate the timelessness of the issues related to pregnancy, sex work, and sexual assault. The biting satire ends in complete chaos. In light of the overturning of Roe, this play is a must read and must produce!

An extraordinary play about white supremacy, complicity, language, and evolution of violence, Alanna crafts a time and space bending play PERFECT for the moment. This is one of the funniest plays I’ve ever encountered and I implore you all to give this wildly theatrical story the respect (and productions) it deserves. Produce this play!

This play. This PLAY! Vivid, gutsy, hilarious, dangerous, cerebral, and theatrical to the max, smart producers should jump at the chance to premiere this script. Coby's razor-sharp craft and rich dramaturgy are expertly buried underneath the bubbly theatrical worlds that the characters move through. The character dynamics, too, are studies in the brutal civility with which America's history of eugenics is (not) discussed. The power struggles between these women are SO visceral and SO immediate, and watching them unravel (especially in the 1820s Connecticut scene... I scream!!!!!!) is a horrific delight. I'll be thinking about this play for years.