Recommendations of Opulence

  • Rachel Feeny-Williams: Opulence

    I have often said that one of the key elements of great theatre is a play that makes you questions and leads to discussion. That is what Jarred has presented to an audience here, a fascinatingly intriguing piece that offers quick fire dialogue that you can't not focus on. Its a piece that forces an audience to think and consider the characters before them, the decisions they make and what they are saying. Not only would it make a brilliant live performance but it would make a fabulous piece of study in one of many subjects! Theatrically fascinating!

    I have often said that one of the key elements of great theatre is a play that makes you questions and leads to discussion. That is what Jarred has presented to an audience here, a fascinatingly intriguing piece that offers quick fire dialogue that you can't not focus on. Its a piece that forces an audience to think and consider the characters before them, the decisions they make and what they are saying. Not only would it make a brilliant live performance but it would make a fabulous piece of study in one of many subjects! Theatrically fascinating!

  • Donald E. Baker: Opulence

    Superhero tropes. Philosophy. Cameos by Kant (the philosopher and a security system), Czar Nicholas II, and Harry Truman. And so many questions on the widest possible range of topics, but, especially, what exactly is justice and who decides? All of it is presented in rapid-fire dialogue in the context of an interrogation room in the midst of revolution. There's danger--and humor--and head-spinning curves that'll leave an audience breathless. Jarred Corona's mind is a place of unique imagination, enviable erudition, and cultural connection, and it's beautifully displayed in this wonderful play.

    Superhero tropes. Philosophy. Cameos by Kant (the philosopher and a security system), Czar Nicholas II, and Harry Truman. And so many questions on the widest possible range of topics, but, especially, what exactly is justice and who decides? All of it is presented in rapid-fire dialogue in the context of an interrogation room in the midst of revolution. There's danger--and humor--and head-spinning curves that'll leave an audience breathless. Jarred Corona's mind is a place of unique imagination, enviable erudition, and cultural connection, and it's beautifully displayed in this wonderful play.

  • Samantha Marchant: Opulence

    “There’s nothing more American than being a superhero.” Corona digs deep into what it means to be an American, a hero, and true to yourself while looking at topics like revolution, philosophy and wealth. I loved the part that listed all the reasons for the name Brandon - especially the detail of deer piss in the car.

    “There’s nothing more American than being a superhero.” Corona digs deep into what it means to be an American, a hero, and true to yourself while looking at topics like revolution, philosophy and wealth. I loved the part that listed all the reasons for the name Brandon - especially the detail of deer piss in the car.

  • Chelsea Frandsen: Opulence

    What is a hero? What is a villain? Is justice really justice? As a proud geek, I love me a good superhero story and Jarred Corona does not disappoint! This play starts off with a bang and goes full tilt until the end. Corrona could give Marvel/DC a good run for their money.

    What is a hero? What is a villain? Is justice really justice? As a proud geek, I love me a good superhero story and Jarred Corona does not disappoint! This play starts off with a bang and goes full tilt until the end. Corrona could give Marvel/DC a good run for their money.

  • Duncan Pflaster: Opulence

    A complex piece examining notions of heroism and villainy. Reminiscent of Wallace Shawn's interrogations of wealth and moral duty. Heady stuff.

    A complex piece examining notions of heroism and villainy. Reminiscent of Wallace Shawn's interrogations of wealth and moral duty. Heady stuff.