←Recommendations of galatea 2.0

  • Christian Flynn: galatea 2.0 by Sophie Dushko
    “

    Was lucky enough to see this in person. Punch-you-in-the-face type of theatre. Something that should be seen. How many plays do you know start with a man pulling a woman out of a box? Equal parts horny, fun, and angry. Galatea's monologue is one of my favorite pieces of writing I've encountered on this site and can stand on it's own. Go see it while it's still at BK Arthaus!

    Was lucky enough to see this in person. Punch-you-in-the-face type of theatre. Something that should be seen. How many plays do you know start with a man pulling a woman out of a box? Equal parts horny, fun, and angry. Galatea's monologue is one of my favorite pieces of writing I've encountered on this site and can stand on it's own. Go see it while it's still at BK Arthaus!

    ”
  • Samantha Oty: galatea 2.0 by Sophie Dushko
    “

    Fantastic. This is one of the best plays I've read in a long time. Mind-bending and increasingly relevant. An incredible retelling of "Pygmalion" and the other takes on the story we've seen so many times.

    Fantastic. This is one of the best plays I've read in a long time. Mind-bending and increasingly relevant. An incredible retelling of "Pygmalion" and the other takes on the story we've seen so many times.

    ”
  • Shaun Leisher: galatea 2.0 by Sophie Dushko
    “

    An absolutely brilliant and mind-bending work of art.

    An absolutely brilliant and mind-bending work of art.

    ”
  • Nick Malakhow: galatea 2.0 by Sophie Dushko
    “

    Boldly theatrical exploration of the objectification of women and the male gaze, and the silencing and repression of female sexuality and agency and desire due to those things. The piece manages to intricately explore the humanity of Eliza, in particular, but others in this theatrical world, while also making some huge theatrical grand gestures utilizing powerful visual metaphors. I would so love to see some of these bold stage pictures fully realized.

    Boldly theatrical exploration of the objectification of women and the male gaze, and the silencing and repression of female sexuality and agency and desire due to those things. The piece manages to intricately explore the humanity of Eliza, in particular, but others in this theatrical world, while also making some huge theatrical grand gestures utilizing powerful visual metaphors. I would so love to see some of these bold stage pictures fully realized.

    ”
  • Joe Zarrow: galatea 2.0 by Sophie Dushko
    “

    GALATEA 2.0 is simultaneously theatrical and gutsy, up-to-the-minute and historically informed. It's a terrific new take on a perpetually-relevant mythic trope.

    GALATEA 2.0 is simultaneously theatrical and gutsy, up-to-the-minute and historically informed. It's a terrific new take on a perpetually-relevant mythic trope.

    ”