PLEASE LAUGH

Welcome to SOMEONE'S UP LATE!, this universe's answer to THE TONIGHT SHOW or THE LATE LATE SHOW! Anything can happen here — celebrity interviews! Games! Ego trips! Murder! Stand-up comedy!

On the set of a late night comedy show, a team of industry sycophants and major stars manages the emotions and whims of the violent, volatile Host in an absurd peek behind the curtain at the natural consequences of failing...

Welcome to SOMEONE'S UP LATE!, this universe's answer to THE TONIGHT SHOW or THE LATE LATE SHOW! Anything can happen here — celebrity interviews! Games! Ego trips! Murder! Stand-up comedy!

On the set of a late night comedy show, a team of industry sycophants and major stars manages the emotions and whims of the violent, volatile Host in an absurd peek behind the curtain at the natural consequences of failing upwards. PLEASE LAUGH is about power (and who can wield it) and what becomes of the soul of the underdog when they become the top dog. It's also about the power an audience has to shape a narrative.

A semifinalist for the 2024 Eugene O'Neill National Playwrights Conference.

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PLEASE LAUGH

Recommended by

  • A.J. Ditty: PLEASE LAUGH

    A brutally honest, unflinching look into the misogyny of show business, PLEASE LAUGH is a harrowing ride through what is either a Talk Show filmed in hell or just a very normal night with James Corden. I have never, in all my years seeing theater, witnessed the cognitive dissonance this play inspires in its audience when they are asked to clap for some of the most horrific punchlines imaginable and reflect on their own complicity in enabling men like the Host to continue their work. Excellent.

    A brutally honest, unflinching look into the misogyny of show business, PLEASE LAUGH is a harrowing ride through what is either a Talk Show filmed in hell or just a very normal night with James Corden. I have never, in all my years seeing theater, witnessed the cognitive dissonance this play inspires in its audience when they are asked to clap for some of the most horrific punchlines imaginable and reflect on their own complicity in enabling men like the Host to continue their work. Excellent.

  • Patrick Vermillion: PLEASE LAUGH

    Many artists have explored the underlying tension behind the facade of Late-Night shows, but few have implicated the audience as directly as Sarah does in her brilliant play. This is a profoundly uncomfortable and provocative work that perverts the mechanical ritual of the talk show into something more damning and truthful. But even in its incisive takedown of the male-driven Hollywood apparatus, the play still manages to be very funny - eliciting as many laughs as uneasy silences.

    Many artists have explored the underlying tension behind the facade of Late-Night shows, but few have implicated the audience as directly as Sarah does in her brilliant play. This is a profoundly uncomfortable and provocative work that perverts the mechanical ritual of the talk show into something more damning and truthful. But even in its incisive takedown of the male-driven Hollywood apparatus, the play still manages to be very funny - eliciting as many laughs as uneasy silences.

  • James Binz: PLEASE LAUGH

    Packed with very realistic late night speak and typical hierarchy shenanigans. Cringy and uncomfortable, but like a train wreck, impossible to look away! Single set, flashing prompt lights and a throne make the game of the show workable and potentially fun (though not really). Excellent read and this would be even more fun on stage.

    Packed with very realistic late night speak and typical hierarchy shenanigans. Cringy and uncomfortable, but like a train wreck, impossible to look away! Single set, flashing prompt lights and a throne make the game of the show workable and potentially fun (though not really). Excellent read and this would be even more fun on stage.

View all 9 recommendations
The Host. A James Corden aspiring to Ellen-hood. White; born in London; American accent.
Buddy. The co-host. A good comedian and a coward. White and Jewish.
Eveline. Star on the rise. Just had a big movie and won a big award. Chinese American.
The Producer. Way more literal than the stage manager in Our Town. Basically a minion.
Mika Davis. A small, white, lesbian and a standup comedian. Very new at this.
A band.

Development History

  • Type Reading, Organization Play Date at Pete's Candy Store, Year 2023
  • Type Reading, Organization Dramatists Guild, Year 2021

Awards

  • National Playwrights Conference
    Eugene O'Neill Center
    Semi-Finalist
    2024
  • SheNYCArts Festival
    Semi-Finalist
    2022
  • The Loom New Works Festival
    Woven Theatre
    Finalist
    2021