This is a masterpiece of a play. Sharifa's work is so subtle, elegantly-crafted, and character-driven that you instantly get lost in the world she creates. She approaches her playwriting from the mind of a director, and this is particularly evident in Close to Home, with its lush imagery and symbolism of the live oak, the trailer home, and the house-in-progress. Each of the characters is so nuanced, and Sharifa pushes against stereotypes of queer & trans people, Muslims and MENA immigrants, and the American South in a way that is empowering without preaching. PLEASE read this play, then...
This is a masterpiece of a play. Sharifa's work is so subtle, elegantly-crafted, and character-driven that you instantly get lost in the world she creates. She approaches her playwriting from the mind of a director, and this is particularly evident in Close to Home, with its lush imagery and symbolism of the live oak, the trailer home, and the house-in-progress. Each of the characters is so nuanced, and Sharifa pushes against stereotypes of queer & trans people, Muslims and MENA immigrants, and the American South in a way that is empowering without preaching. PLEASE read this play, then produce it.