This is one of those plays that feels like it should be a movie but also inexplicably belongs on the stage. Both a parody of Scott Pilgrim-esque manic pixie dream girl pop culture films and commentary on the damage it's done to society, Daxton on the Night Shift at 7/11 jumps through time to define womanhood in our century, interrogates the Michael Cera actor archetype, and demands that comedy as a genre in film does better to be less problematic. It punches up and succeeds in every way.
This is one of those plays that feels like it should be a movie but also inexplicably belongs on the stage. Both a parody of Scott Pilgrim-esque manic pixie dream girl pop culture films and commentary on the damage it's done to society, Daxton on the Night Shift at 7/11 jumps through time to define womanhood in our century, interrogates the Michael Cera actor archetype, and demands that comedy as a genre in film does better to be less problematic. It punches up and succeeds in every way.