Daxton on the Night Shift at 7/11

by Riley Elton McCarthy

It's midnight at the last 7/11 open 24 hours in The United States of America. The world has descended into chaos due to the impending doom of the discontinuation of the much-cherished red slurpee. 7/11 has put all of its slurpee machines on lockdown, bracing itself as a new organization known as the RS Brigade threatens the corporation and possibly the entire world in the pursuit of their beloved red slurpee. As...

It's midnight at the last 7/11 open 24 hours in The United States of America. The world has descended into chaos due to the impending doom of the discontinuation of the much-cherished red slurpee. 7/11 has put all of its slurpee machines on lockdown, bracing itself as a new organization known as the RS Brigade threatens the corporation and possibly the entire world in the pursuit of their beloved red slurpee. As for the last 24 hour 7/11? Well... new hire and criminally inept cashier Daxton's on the night shift and retired Manic Pixie Dream Girl, now part-time Letterbox'd critic Baby in a Corner is looking for her slurpee fix.

Think Scott Pilgrim if it were a play but also deconstructing literally everything that film/franchise/book series stands for.

RUNTIME: 60 minutes.

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Daxton on the Night Shift at 7/11

Recommended by

  • Alexa Rowe: Daxton on the Night Shift at 7/11

    This is one of those plays that feels like it should be a movie but also inexplicably belongs on the stage. Both a parody of Scott Pilgrim-esque manic pixie dream girl pop culture films and commentary on the damage it's done to society, Daxton on the Night Shift at 7/11 jumps through time to define womanhood in our century, interrogates the Michael Cera actor archetype, and demands that comedy as a genre in film does better to be less problematic. It punches up and succeeds in every way.

    This is one of those plays that feels like it should be a movie but also inexplicably belongs on the stage. Both a parody of Scott Pilgrim-esque manic pixie dream girl pop culture films and commentary on the damage it's done to society, Daxton on the Night Shift at 7/11 jumps through time to define womanhood in our century, interrogates the Michael Cera actor archetype, and demands that comedy as a genre in film does better to be less problematic. It punches up and succeeds in every way.

  • Kane Normandy: Daxton on the Night Shift at 7/11

    I am a diehard Scott Pilgrim fan and this play is kind of making me think twice about it? Maybe Scott Pilgrim is kind of f*cked more than I thought? Riley has written three absolutely hilarious characters-- with strong bisexual representation! You get a space cowboy, an incompetent overnight cashier, and a (RETIRED!) manic pixie dream girl in a 7/11... what could possibly go wrong? Spoiler alert: Everything. Everything goes wrong. And also maybe f*ck Scott Pilgrim but also f*ck him.

    I am a diehard Scott Pilgrim fan and this play is kind of making me think twice about it? Maybe Scott Pilgrim is kind of f*cked more than I thought? Riley has written three absolutely hilarious characters-- with strong bisexual representation! You get a space cowboy, an incompetent overnight cashier, and a (RETIRED!) manic pixie dream girl in a 7/11... what could possibly go wrong? Spoiler alert: Everything. Everything goes wrong. And also maybe f*ck Scott Pilgrim but also f*ck him.

  • Kane Normandy: Daxton on the Night Shift at 7/11

    I am a diehard Scott Pilgrim fan and this play is kind of making me think twice about it? Maybe Scott Pilgrim is kind of f*cked more than I thought? Riley has written three absolutely hilarious characters-- with strong bisexual representation! You get a space cowboy, an incompetent overnight cashier, and a (RETIRED!) manic pixie dream girl in a 7/11... what could possibly go wrong? Spoiler alert: Everything. Everything goes wrong. And also maybe f*ck Scott Pilgrim but also f*ck him.

    I am a diehard Scott Pilgrim fan and this play is kind of making me think twice about it? Maybe Scott Pilgrim is kind of f*cked more than I thought? Riley has written three absolutely hilarious characters-- with strong bisexual representation! You get a space cowboy, an incompetent overnight cashier, and a (RETIRED!) manic pixie dream girl in a 7/11... what could possibly go wrong? Spoiler alert: Everything. Everything goes wrong. And also maybe f*ck Scott Pilgrim but also f*ck him.

Character Information

  • DAXTON
    20s. Awkward. Queer. Working the night shift at 7/11. Has an affinity for board games. Full name: Daxton Cera Eisenberg Dagger.
    Character Age
    20s
    Character Gender Identity
    he/him or they/them
  • BABY IN A CORNER
    20s. Exhausted. Queer. Retired manic pixie dream girl and red slurpee enthusiast. Full name: Eternal Sunshine of the Spotless Don’t Put Ramona Flowers Baby in a Corner Summer.
    Character Age
    20s
    Character Gender Identity
    She/her or they/them
  • JAXTON
    20s. Frustrated. Queer. A cult leader whose power grows with ingesting red slurpees. Fully believes he’s a space cowboy. Don’t ask how that works. Full name: Jaxton J. Jaxoff, formerly known as J. Star, of no relation to that J. Star. Rather unfortunate naming actually. He doesn’t want to talk about it.
    Character Age
    20s
    Character Gender Identity
    he/him or they/them