There's a wonderful, deadpan matter-of-factness that can only be found between two people who know each other this well. Susan and Henry are that rare combination of characters we recognize both as people we might be and people we want to know.
This is partially because Eppich-Harris has given them a rich background, especially Susan. When you've experienced what she's been through, or shared in it as Henry has, not a lot phases you, but you still feel things deeply. The play elegantly captures the pragmatism found amid the chaos of family dysfunction.
I hope they make their window.
There's a wonderful, deadpan matter-of-factness that can only be found between two people who know each other this well. Susan and Henry are that rare combination of characters we recognize both as people we might be and people we want to know.
This is partially because Eppich-Harris has given them a rich background, especially Susan. When you've experienced what she's been through, or shared in it as Henry has, not a lot phases you, but you still feel things deeply. The play elegantly captures the pragmatism found amid the chaos of family dysfunction.
I hope they make their window.