Recommendations of L'Images

  • Dan West: L'Images

    A powerfully dark noir about a photographer balancing the desire to kill his unfaithful wife with the hope that she and her lover take him out first. The lead character, Nick, is already less than stable when the play begins, and the audience is welcomed into his troubled mind as he proceeds to descend deeper and deeper into his self-destructive madness. A disturbing piece that you simply cannot stop from getting drawn into.

    A powerfully dark noir about a photographer balancing the desire to kill his unfaithful wife with the hope that she and her lover take him out first. The lead character, Nick, is already less than stable when the play begins, and the audience is welcomed into his troubled mind as he proceeds to descend deeper and deeper into his self-destructive madness. A disturbing piece that you simply cannot stop from getting drawn into.

  • Michele Clarke: L'Images

    An exceptional noir monologue - dotted with other characters and graced with the smoothest scene transitions. So much to play with here for the scenic and lighting designers as well as the director. There's a clever middle twist that sends you down a sure-footed path... until it doesn't. Your best actors will be fighting to play this twisted lead character/narrator.

    An exceptional noir monologue - dotted with other characters and graced with the smoothest scene transitions. So much to play with here for the scenic and lighting designers as well as the director. There's a clever middle twist that sends you down a sure-footed path... until it doesn't. Your best actors will be fighting to play this twisted lead character/narrator.

  • Dana Hall: L'Images

    Ken Love's gripping noir drama pulls us into a tumultuous world where a photographer teeters on the edge due to his wife's betrayal. The intensity is palpable. Lines like "It’s been long a life" pure gold. Despite their flaws, these characters are captivating, keeping the audience glued to the suspenseful narrative, eagerly anticipating each twist and turn. Well done!

    Ken Love's gripping noir drama pulls us into a tumultuous world where a photographer teeters on the edge due to his wife's betrayal. The intensity is palpable. Lines like "It’s been long a life" pure gold. Despite their flaws, these characters are captivating, keeping the audience glued to the suspenseful narrative, eagerly anticipating each twist and turn. Well done!

  • Bruce Bonafede: L'Images

    This is an excellent play. Tightly constructed and written without a wasted word, action, or line of dialog. The subject matter is very dark and it doesn't bother trying to make its awful characters sympathetic - and yet it works because it draws you into its own rather insane world. It could easily tip over into comic exaggeration and yet it doesn't. Instead it's either frightening or upsetting depending on your point of view. Highly recommended.

    This is an excellent play. Tightly constructed and written without a wasted word, action, or line of dialog. The subject matter is very dark and it doesn't bother trying to make its awful characters sympathetic - and yet it works because it draws you into its own rather insane world. It could easily tip over into comic exaggeration and yet it doesn't. Instead it's either frightening or upsetting depending on your point of view. Highly recommended.

  • Morey Norkin: L'Images

    In this noirish drama, Ken Love presents a crazed photographer consumed with jealousy over his wife’s affair. As he (along with us) watches and captures photographic evidence, his obsession and plan for revenge become more frenzied. This one will have you on the edge of your seat throughout. The visual aspect of a live production could be so powerful as to make the audience feel like accomplices rather than mere spectators. Great work!

    In this noirish drama, Ken Love presents a crazed photographer consumed with jealousy over his wife’s affair. As he (along with us) watches and captures photographic evidence, his obsession and plan for revenge become more frenzied. This one will have you on the edge of your seat throughout. The visual aspect of a live production could be so powerful as to make the audience feel like accomplices rather than mere spectators. Great work!