Seeking Nietzsche (Full-length play)

by Marcia Eppich-Harris

With the nationalist composer Richard Wagner as Friedrich Nietzsche’s surrogate father and the Nazis' appropriation of Wagner’s music and Nietzsche’s philosophy, many have questioned whether Nietzsche and his works are on the right side of history. Seeking Nietzsche ponders who determines the answer to this question. When Nietzsche falls into madness, his nationalist sister, Elisabeth, takes over the management...

With the nationalist composer Richard Wagner as Friedrich Nietzsche’s surrogate father and the Nazis' appropriation of Wagner’s music and Nietzsche’s philosophy, many have questioned whether Nietzsche and his works are on the right side of history. Seeking Nietzsche ponders who determines the answer to this question. When Nietzsche falls into madness, his nationalist sister, Elisabeth, takes over the management of his literary estate, but knowing that the siblings disagree on just about everything, Nietzsche’s friend, Lou Salomé, takes it upon herself to recover Nietzsche’s legacy and reveal his inner psychology. Meanwhile, Elisabeth outlives Nietzsche by thirty-five years and becomes close to Hitler. Influenced by Nietzsche’s theory of eternal recurrence, as well as his madness at the end of his life, the narrative jumps back and forth in time and into the afterlife to tell the tale of the ever-suffering philosopher.

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Seeking Nietzsche (Full-length play)

Recommended by

  • Nora Louise Syran: Seeking Nietzsche (Full-length play)

    The motifs of words, letters, writing, creation and musical composition are woven throughout this piece which moves fluidly through time to explore whether this "character in his own plot" was "a hero or a monster." Eppich-Harris creates such pathos with the recurring scenes punctuating his helplessness as he sits "catatonic" in the hands of these two women and the stability of his legacy is literally carried away from him. Favorite line: "Oblivion would be better than being misunderstood."

    The motifs of words, letters, writing, creation and musical composition are woven throughout this piece which moves fluidly through time to explore whether this "character in his own plot" was "a hero or a monster." Eppich-Harris creates such pathos with the recurring scenes punctuating his helplessness as he sits "catatonic" in the hands of these two women and the stability of his legacy is literally carried away from him. Favorite line: "Oblivion would be better than being misunderstood."

  • Tony Tambasco: Seeking Nietzsche (Full-length play)

    Marcia Eppich-Harris' exploration of the man, his philosophy, and his circle brings us closer to all of them; revealing the gulf between Nietzsche's own characterization of himself, and the reality he lived and suffered through. Answering the philosopher's call to love fate and embrace suffering, Seeking Nietzsche posits thoughtful questions about what it means to love someone, and what it means for that love to be unrequited, and whether Nietzsche's own self-love may be the most unrequited of all.

    Marcia Eppich-Harris' exploration of the man, his philosophy, and his circle brings us closer to all of them; revealing the gulf between Nietzsche's own characterization of himself, and the reality he lived and suffered through. Answering the philosopher's call to love fate and embrace suffering, Seeking Nietzsche posits thoughtful questions about what it means to love someone, and what it means for that love to be unrequited, and whether Nietzsche's own self-love may be the most unrequited of all.

  • Ricardo Soltero-Brown: Seeking Nietzsche (Full-length play)

    The first thing to make an impression is Eppich-Harris' poetic language, which serves as a beautiful ushering in to a journey about legacy. We feel in safe hands due to a resplendent atmosphere of skillfully chosen historical settings for struggles in love, debate, and power; each scene setting up a specific question regarding Nietzsche's work and its socio-political placement, his wellness, and Elisabeth's will to impose interpretation. Indeed there are generous insights into Nietzsche's work in philosophy and literature, but a remarkable achievement here is Eppich-Harris' rendering of a...

    The first thing to make an impression is Eppich-Harris' poetic language, which serves as a beautiful ushering in to a journey about legacy. We feel in safe hands due to a resplendent atmosphere of skillfully chosen historical settings for struggles in love, debate, and power; each scene setting up a specific question regarding Nietzsche's work and its socio-political placement, his wellness, and Elisabeth's will to impose interpretation. Indeed there are generous insights into Nietzsche's work in philosophy and literature, but a remarkable achievement here is Eppich-Harris' rendering of a human drama. The play is structured to flow, engage, and inspire.

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Character Information

  • Friedrich Nietzsche
    24-54 years old in the play, but can be played by any middle-aged man. A philosopher, writer, professor, and polemicist.
    Character Age
    30s-40s
  • Elisabeth Förester-Nietzsche
    Nietzsche's sister, 22-89 years old in the play, but should be played by middle-aged woman. A devout Christian, anti-semitic, and (eventually) supporter of the Nazis.
    Character Age
    late 20s - 80s
  • Lou Salomé
    A writer, and eventually a psychiatrist and scholar, as well as the love of Nietzsche's life. Should be played by a beautiful woman between 25-35.
    Character Age
    25-35
  • Richard Wagner
    Famous composer, father figure to Nietzsche. 50s-70s in the play, should be played by a man in that age range.
    Character Age
    50s-70s
  • Doctor
    A physician who takes care of Nietzsche. (Can/should be doubled with WAGNER)
    Character Age
    50s-70s
  • Hitler
    Yep, that Hitler. (Can/should be doubled with WAGNER -- not going for realism here.)
  • Nazi
    A Nazi soldier (voice -- spoken in unison by Lou Salomé and Richard Wagner.)
    Character Age
    Any

Development History

  • Type Reading, Organization Southbank Theatre Company, Year 2022
  • Type Reading, Organization Indiana Playwrights Circle, Year 2021

Production History

Awards

  • Epiphanies New Play Festival
    Wild Imaginings
    Honorable Mention
    2022