Isabel

by reid tang

It's the staircase in the woods again. You know the one. Mysterious, abandoned, the one everyone says you shouldn't climb. Well—maybe if you did, everything would be different. Maybe you would become something else entirely. Something you've always feared you secretly already were.

It's the staircase in the woods again. You know the one. Mysterious, abandoned, the one everyone says you shouldn't climb. Well—maybe if you did, everything would be different. Maybe you would become something else entirely. Something you've always feared you secretly already were.

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Isabel

Recommended by

  • Shaun Leisher: Isabel by reid tang
    “

    A tender play about sibling relationships and gender exploration. Lots of potential for creative sound design in this play.

    A tender play about sibling relationships and gender exploration. Lots of potential for creative sound design in this play.

    ”
  • Jan Rosenberg: Isabel by reid tang
    “

    Loved the sibling relationship in this play, loved the acceptance these characters had for each other as they lived their truths. I love a queer horror play in the woods!

    Loved the sibling relationship in this play, loved the acceptance these characters had for each other as they lived their truths. I love a queer horror play in the woods!

    ”
  • Playwrights Foundation: Isabel by reid tang
    “

    The community of national & local readers for the Bay Area Playwrights Festival in 2022 enthusiastically recommends ISABEL as a Semi-Finalist at Playwrights Foundation. We highly enjoyed this play's revolutionary vision of family and reflections on childhood. This is a piece that intentionally confuses and traps the reader within it through world-building. We were compelled by this play's promise in its sly humor, gender exploration, and non-traditional structure. We hope this play is widely read, finds dedicated collaborators, and moves swiftly towards production. #BAPF2022

    The community of national & local readers for the Bay Area Playwrights Festival in 2022 enthusiastically recommends ISABEL as a Semi-Finalist at Playwrights Foundation. We highly enjoyed this play's revolutionary vision of family and reflections on childhood. This is a piece that intentionally confuses and traps the reader within it through world-building. We were compelled by this play's promise in its sly humor, gender exploration, and non-traditional structure. We hope this play is widely read, finds dedicated collaborators, and moves swiftly towards production. #BAPF2022

    ”

Character Information

Matt should not be played by someone who is cis; he is a nonbinary transmasculine person early in transition.

Harriet can be played by a cis or trans man / transmasculine performer, with strong priority for trans performers.

Isabel should be played by a gender nonconforming performer: a nonbinary, genderqueer, and/or trans performer who has a playful, irreverent relationship to gender and the gender binary.

Matt and Harriet should be played by Asian performers; Isabel can be any race but please don't default to casting white performers because I said that.
  • Matt
    late 20s
    Asian
    transmasculine
    Can be played by:
    • Actor Age
      20s,
      30s
    • Actor Race/Ethnic Identity
      Asian, Pacific Islander, or Asian American
    • Actor Gender Identity
      Male,
      Non-binary
  • Harriet
    mid 20s
    Asian
    cis (probably)
    Can be played by:
    • Actor Age
      20s
    • Actor Race/Ethnic Identity
      Asian, Pacific Islander, or Asian American
    • Actor Gender Identity
      Male
  • Isabel
    20ish
    Any
    pronouns are: Isabel
    Can be played by:
    • Actor Age
      20s

Development History

  • Reading, New York Theatre Workshop, 2021

Production History

  • Professional, NAATCO, 2024
  • University, The New School, 2021

Awards

  • Bay Area Playwrights Festival
    Semi-Finalist
    2022