←Recommendations of Tunnel Vision

  • Barry Smoot: Tunnel Vision by Scott Cantrell
    “

    A beautiful, allegorical monologue about the displaced. Moody, thought-provoking, and well-written.

    A beautiful, allegorical monologue about the displaced. Moody, thought-provoking, and well-written.

    ”
  • Robin Rice: Tunnel Vision by Scott Cantrell
    “

    What a gorgeously ambiguous monologue! It both holds together and opens up a plethora of interpretations. A smart actor would revel in it, and thoroughly captivate audiences.

    What a gorgeously ambiguous monologue! It both holds together and opens up a plethora of interpretations. A smart actor would revel in it, and thoroughly captivate audiences.

    ”
  • John Medlin: Tunnel Vision by Scott Cantrell
    “

    This is a one-person play that requires a conversation afterward. It is haunting, somewhat ambiguous, and interesting. Scott Cantrell packs a lot of storytelling into this short, ten-ish-minute piece. It's a good choice for actors wanting to delve into non-realism.

    This is a one-person play that requires a conversation afterward. It is haunting, somewhat ambiguous, and interesting. Scott Cantrell packs a lot of storytelling into this short, ten-ish-minute piece. It's a good choice for actors wanting to delve into non-realism.

    ”
  • Debra A. Cole: Tunnel Vision by Scott Cantrell
    “

    Wow! I was sucked in by the line, "She won’t let you know the time." This haunting piece is a fabulous vehicle for any talented actor. Audiences will be left with questions and a wonderful piece to discuss.

    Wow! I was sucked in by the line, "She won’t let you know the time." This haunting piece is a fabulous vehicle for any talented actor. Audiences will be left with questions and a wonderful piece to discuss.

    ”
  • Scott Sickles: Tunnel Vision by Scott Cantrell
    “

    a haunting piece. Because the Hermit’s faculties clearly aren’t what they used to be, and might not have been great to begin with, we are bequeathed questions about the mystery laid before us. He’s young, 20s-30s, yet it seems as though he entered this environment as a child… and stayed there.

    Regardless, we are face to face with a missing person. One who is simultaneously exactly where he wants to be and hopeless trapped.

    A fascinating character study. The exploration of the character during rehearsal would be as labyrinthine as his city’s abandoned underbelly.

    a haunting piece. Because the Hermit’s faculties clearly aren’t what they used to be, and might not have been great to begin with, we are bequeathed questions about the mystery laid before us. He’s young, 20s-30s, yet it seems as though he entered this environment as a child… and stayed there.

    Regardless, we are face to face with a missing person. One who is simultaneously exactly where he wants to be and hopeless trapped.

    A fascinating character study. The exploration of the character during rehearsal would be as labyrinthine as his city’s abandoned underbelly.

    ”
  • Donald E. Baker: Tunnel Vision by Scott Cantrell
    “

    This stunning little one-person play with flexible casting ends with a light-and-sound effect that'll knock an audience's socks off. It'll also leave questions about the speaker that they'll be debating over drinks afterwards and breakfast the next day. It must be produced.

    This stunning little one-person play with flexible casting ends with a light-and-sound effect that'll knock an audience's socks off. It'll also leave questions about the speaker that they'll be debating over drinks afterwards and breakfast the next day. It must be produced.

    ”