The best magical realism blurs the line between objective reality and world as experienced by its characters. FOR THE FISH possesses this dream-like ambiguity, and in doing so, allows us direct access to its characters’ tender, searching hearts.
The unspoken bond of queerness between Susanna and her Uncle anchors this play. The subtlety and specificity of their relationship stands in effective contrast to the surreally theatrical talking fish who threatens it. Houlker creates a strong sense of time and place with her expressive stage directions. Designers, puppeteers, and imaginative theatre...
The best magical realism blurs the line between objective reality and world as experienced by its characters. FOR THE FISH possesses this dream-like ambiguity, and in doing so, allows us direct access to its characters’ tender, searching hearts.
The unspoken bond of queerness between Susanna and her Uncle anchors this play. The subtlety and specificity of their relationship stands in effective contrast to the surreally theatrical talking fish who threatens it. Houlker creates a strong sense of time and place with her expressive stage directions. Designers, puppeteers, and imaginative theatre makers will thrill to take a crack at it.