Recommendations of THE PROS AND CONS OF IMPLOSION

  • Jillian Blevins: THE PROS AND CONS OF IMPLOSION

    This short—on its surface about a teen mechanical genius and her crotchety neighbor—speaks volumes in subtext. Through a disagreement about an old car, Murphy explores community, intergenerational tensions, grief, and hope for the future. Rarely can a play invoke 9/11 in a way that feels fresh, specific, and powerful. IMPLOSION does so, to devastating and thought-thought provoking effect, with the lightest of touches.

    This short—on its surface about a teen mechanical genius and her crotchety neighbor—speaks volumes in subtext. Through a disagreement about an old car, Murphy explores community, intergenerational tensions, grief, and hope for the future. Rarely can a play invoke 9/11 in a way that feels fresh, specific, and powerful. IMPLOSION does so, to devastating and thought-thought provoking effect, with the lightest of touches.

  • Samantha Marchant: THE PROS AND CONS OF IMPLOSION

    A strong dynamic between these two characters and outlooks.

    A strong dynamic between these two characters and outlooks.

  • Michael Towers: THE PROS AND CONS OF IMPLOSION

    Two carefully and brilliantly wrought characters engage in a negotiation of responsibility, memory, and legacy. Every time I read it, I find more to think about-and perhaps like its characters, I find in it as much joy and hopefulness as I do ache.
    Thank you Mr. Murphy.

    Two carefully and brilliantly wrought characters engage in a negotiation of responsibility, memory, and legacy. Every time I read it, I find more to think about-and perhaps like its characters, I find in it as much joy and hopefulness as I do ache.
    Thank you Mr. Murphy.

  • Ellen Davis Sullivan: THE PROS AND CONS OF IMPLOSION

    A tight two-hander with sharp dialogue that grabs the audience and doesn't let go until all of its surprises have been revealed. Both the older and younger character are beautifully developed in a few brush strokes. Highly recommended.

    A tight two-hander with sharp dialogue that grabs the audience and doesn't let go until all of its surprises have been revealed. Both the older and younger character are beautifully developed in a few brush strokes. Highly recommended.

  • Kevin Cirone: THE PROS AND CONS OF IMPLOSION

    A beautifully written short, this two-hander has a lot to recommend it for a production for those looking for a drama with heart-wrenching twists and nuanced characters. Highly recommend.

    A beautifully written short, this two-hander has a lot to recommend it for a production for those looking for a drama with heart-wrenching twists and nuanced characters. Highly recommend.

  • Cassie M. Seinuk: THE PROS AND CONS OF IMPLOSION

    This play brings two unlikely characters together in a beautiful way! There is potency in the drama in this piece demonstrated delicately with the weight of objects left behind by loved ones on the people left with them. This play's reference to an unseen car and being an "exterior" set play makes it great for 10-minute play festivals and easily produced! I also appreciate a 9/11 play that doesn't retraumatize the audience!

    This play brings two unlikely characters together in a beautiful way! There is potency in the drama in this piece demonstrated delicately with the weight of objects left behind by loved ones on the people left with them. This play's reference to an unseen car and being an "exterior" set play makes it great for 10-minute play festivals and easily produced! I also appreciate a 9/11 play that doesn't retraumatize the audience!

  • K. Alexa Mavromatis: THE PROS AND CONS OF IMPLOSION

    An unexpected approach to the continued aftershocks of 9/11, this is a beautiful play with nuanced, three-dimensional characters—an expertly-written two-hander with rich roles actors will enjoy digging into.

    An unexpected approach to the continued aftershocks of 9/11, this is a beautiful play with nuanced, three-dimensional characters—an expertly-written two-hander with rich roles actors will enjoy digging into.

  • John Minigan: THE PROS AND CONS OF IMPLOSION

    This play grabs you quickly with its repartee between two very different characters, one with a lot of mileage and one with a lot of skills but less mileage. But what gradually unfolds is a beautiful, heartfelt drama that exposes the pain of the older character and portrays his grief with unexpected grace. A richly layered piece that brings the past into the present in the car on the sidewalk as well as in the lives of both characters

    This play grabs you quickly with its repartee between two very different characters, one with a lot of mileage and one with a lot of skills but less mileage. But what gradually unfolds is a beautiful, heartfelt drama that exposes the pain of the older character and portrays his grief with unexpected grace. A richly layered piece that brings the past into the present in the car on the sidewalk as well as in the lives of both characters

  • Sawyer Quinn Brown: THE PROS AND CONS OF IMPLOSION

    Pays reference to 9/11 without being overbearing. And Mr. Gordon's wife almost seems present on the stage, despite being deceased. This play does a lot with few words.

    Pays reference to 9/11 without being overbearing. And Mr. Gordon's wife almost seems present on the stage, despite being deceased. This play does a lot with few words.

  • Peter Snoad: THE PROS AND CONS OF IMPLOSION

    Delightfully odd and oddly intimate -- a gem of a play.

    Delightfully odd and oddly intimate -- a gem of a play.