AFIKOMAN

by Sam Heyman

ONE ACT:

It's late into the first night of Pesach, and it's time to search for the Afikoman. Leo Rubin has come to visit his older brother Joel's family for a Passover Seder, his first in years. It's all a bit overwhelming for him, but he is not alone in his feelings. Leo's niece, Rivka, is also struggling with the performance expectations of the evening, and has taken refuge in her bedroom. As these two...

ONE ACT:

It's late into the first night of Pesach, and it's time to search for the Afikoman. Leo Rubin has come to visit his older brother Joel's family for a Passover Seder, his first in years. It's all a bit overwhelming for him, but he is not alone in his feelings. Leo's niece, Rivka, is also struggling with the performance expectations of the evening, and has taken refuge in her bedroom. As these two kindred spirits hide from the Seder crowd, hurts new and old begin to surface from within their hearts. Can what is hidden away be found at last? Can what is broken be mended, and made whole again?

New Draft Uploaded 12/3/23!

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AFIKOMAN

Recommended by

  • David Lipschutz: AFIKOMAN

    11/28/2024. AFIKOMAN is a beautiful and heartfelt play about a Jewish family at Passover. Playwright Sam Heyman has written with care and understanding about the holiday and has brought to life smart, honest characters. The ending is sweet and makes you feel all the feels. Oh, and a Manischewitz hangover sounds like literally the worst thing ever!

    11/28/2024. AFIKOMAN is a beautiful and heartfelt play about a Jewish family at Passover. Playwright Sam Heyman has written with care and understanding about the holiday and has brought to life smart, honest characters. The ending is sweet and makes you feel all the feels. Oh, and a Manischewitz hangover sounds like literally the worst thing ever!

  • Jennifer O'Grady: AFIKOMAN

    A beautiful play exploring family ties, generational conflicts and the journey toward healing and acceptance. Centering two adult brothers with lingering trauma in their past, who've gathered at the home of one for a Passover Seder, Heyman makes his characters and their struggles feel so real that it's startling to remember after reading that they're characters and not actual living humans. With a lovely and hopeful ending, this would make a wonderful addition to any one-act festival.

    A beautiful play exploring family ties, generational conflicts and the journey toward healing and acceptance. Centering two adult brothers with lingering trauma in their past, who've gathered at the home of one for a Passover Seder, Heyman makes his characters and their struggles feel so real that it's startling to remember after reading that they're characters and not actual living humans. With a lovely and hopeful ending, this would make a wonderful addition to any one-act festival.

  • Samuel Langellier: AFIKOMAN

    Projections are both what we see before us and what we set in front of our faces, both what we see others as and what we intend for ourselves. It is not always a choice to do so, but the standard bearings we recognize push themselves before intention and understanding, much as the trouble Heyman's characters find themselves in here.

    Perhaps in this way it's important that we hide our projections from ourselves so that we may find the truth in them and overcome what makes us insecure, perhaps find it in Afikoman.

    Projections are both what we see before us and what we set in front of our faces, both what we see others as and what we intend for ourselves. It is not always a choice to do so, but the standard bearings we recognize push themselves before intention and understanding, much as the trouble Heyman's characters find themselves in here.

    Perhaps in this way it's important that we hide our projections from ourselves so that we may find the truth in them and overcome what makes us insecure, perhaps find it in Afikoman.

View all 13 recommendations

Character Information

Diversity in casting is not just encouraged, it is expected. The characters in this play are
American Jews, but casting can be inclusive of a variety of races and backgrounds.
  • Leo
    The middle child; done with hiding (or so he thinks)
    Character Age
    30s
    Character Race/Ethnic Identity
    Any / Jewish
  • Joel
    The first born son, an up-and-coming rabbi; paternal, (and a little patronizing)
    Character Age
    30s
    Character Race/Ethnic Identity
    Any / Jewish
  • Miriam
    Joel’s wife; holding it together (as best she can)
    Character Age
    30s
    Character Race/Ethnic Identity
    Any / Jewish
  • Rivka
    Joel and Miriam’s only child; afraid she might break
    Character Age
    12
    Character Race/Ethnic Identity
    Any / Jewish

Development History

  • Type Reading, Organization CapitalQ Theatre Festival, Year 2024
  • Type Reading, Organization Tiger’s Heart Players, Year 2023
  • Type Reading, Organization Playwrights Thriving, Year 2022

Production History

  • Type Community Theater, Organization Tiger's Heart Players, Year 2023