Audience participation is a hallmark of theatre for young audiences, and Sobeck Knighton integrates this so well into this play. Keeping children engaged while also discovering how to manage their emotions and truly play with some of the most important mindfulness behaviors is a noble goal of this script, and one that I think will be easily achieved in production. It's also wonderful to read a TYA script with such a broad target audience, including very young audiences. With just a tiny bit of history and a lot of helpful mindfulness practice, this is a fun, and very producible play.
Audience participation is a hallmark of theatre for young audiences, and Sobeck Knighton integrates this so well into this play. Keeping children engaged while also discovering how to manage their emotions and truly play with some of the most important mindfulness behaviors is a noble goal of this script, and one that I think will be easily achieved in production. It's also wonderful to read a TYA script with such a broad target audience, including very young audiences. With just a tiny bit of history and a lot of helpful mindfulness practice, this is a fun, and very producible play.