LULLABY PLAY (a liminal medea)

by Aly Kantor

[90 Minutes, adaptation/ play with music, 3M, 3F] A new adaptation of Euripides' Medea for an ensemble of six, with music and movement, set outside of time.

[90 Minutes, adaptation/ play with music, 3M, 3F] A new adaptation of Euripides' Medea for an ensemble of six, with music and movement, set outside of time.

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LULLABY PLAY (a liminal medea)

Recommended by

  • Brenton Kniess: LULLABY PLAY (a liminal medea)

    This iconic source material is elevated in a way that is so original and unique that it feels like a completely new piece of theatre. The structure is absolutely stunning and is accompanied by beautiful dialogue that is surrounded by this poetic nature that is just hauntingly beautiful. This adaptation by Aly Kantor is mesmerizing. This play is truly worthy of an audience.

    This iconic source material is elevated in a way that is so original and unique that it feels like a completely new piece of theatre. The structure is absolutely stunning and is accompanied by beautiful dialogue that is surrounded by this poetic nature that is just hauntingly beautiful. This adaptation by Aly Kantor is mesmerizing. This play is truly worthy of an audience.

  • Gemma Cooper-Novack: LULLABY PLAY (a liminal medea)

    Ooh, I would be so excited to see a production of this piece. Kantor beautifully integrates the poetic with the everyday, leaving us in a precisely calibrated and unique space.

    Ooh, I would be so excited to see a production of this piece. Kantor beautifully integrates the poetic with the everyday, leaving us in a precisely calibrated and unique space.

  • Lisa Dellagiarino Feriend: LULLABY PLAY (a liminal medea)

    The theatricality of this play!! I wasn't prepared for how beautiful it was going to be. Aly Kantor has a knack for reimagining her adaptations in a wholly unique way. This is gorgeous on the page, and I can't even imagine how amazing it would be on a stage, getting to see the dances and hear the songs (and that ending!! I want to see the ending!!) This Medea feels both classically old and surprisingly contemporary at the same time, and I can't get enough of it.

    The theatricality of this play!! I wasn't prepared for how beautiful it was going to be. Aly Kantor has a knack for reimagining her adaptations in a wholly unique way. This is gorgeous on the page, and I can't even imagine how amazing it would be on a stage, getting to see the dances and hear the songs (and that ending!! I want to see the ending!!) This Medea feels both classically old and surprisingly contemporary at the same time, and I can't get enough of it.

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Character Information

  • MEDEA
    Character Race/Ethnic Identity
    BIPOC; non-white
    Character Gender Identity
    She/her
  • JASON
    Character Gender Identity
    he/him
  • CREUSA
    Character Gender Identity
    She/her
  • CREON
    Character Gender Identity
    he/him
  • ELPIS
    Character Race/Ethnic Identity
    BIPOC; non-white
    Character Gender Identity
    She/her
  • AEGEUS
    Character Gender Identity
    he/him